Evidence map›Paper›PMID 42911928›Full record

ArticlePloS one2026

Measuring audience experience across 20 showings of the same theatre performance using customer feedback kiosks and a questionnaire.

Mikko Sams, Einat Amir-Ahola, Enrico Glerean, Sirpa Kähkönen, Taru Mäkelä, Reetta Ristimäki, Antti Ruotoistenmäki, Veli-Matti Saarinen

Abstract read
In one paragraph

Article in PloS one, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
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1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

8 authors.

Mikko SamsMAGICS-Aalto, Aalto University, Espoo, Finland.ORCID https://orcid.org/0000-0002-1992-484X
Einat Amir-AholaThe Faculty of Human and Social Sciences, Åbo Akademi University, Turku, Finland.ORCID https://orcid.org/0000-0003-0467-6406
Enrico GlereanAalto Scientific Computing, Aalto University, Espoo, Finland.ORCID https://orcid.org/0000-0003-0624-675X
Sirpa KähkönenGreta Productions, Helsinki, Finland.
Taru MäkeläGreta Productions, Helsinki, Finland.
Reetta RistimäkiGreta Productions, Helsinki, Finland.
Antti RuotoistenmäkiAalto Studios, Aalto University, Espoo, Finland.ORCID https://orcid.org/0000-0002-7334-6884
Veli-Matti SaarinenAalto Behavioral Laboratory (ABL), Aalto Neuroimaging, Aalto University, Espoo, Finland.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Audience experiences can vary both between performances and among spectators, but little is known about how different methods capture this variation across repeated showings of the same production. We therefore examined audience experience across twenty live performances of the same music theatre production. We combined two complementary methods: immediate audience ratings collected through customer feedback kiosks and more detailed post-performance questionnaires. The kiosks recorded 1,887 responses, corresponding to 67% of total attendance, and 458 audience members (16%) completed questionnaires. Overall, the reception was positive, but kiosk ratings varied significantly across performances, indicating that audience-level enjoyment ratings differed from one showing to another. Kiosk and questionnaire responses to the same enjoyment question did not differ significantly at the aggregate level, suggesting that brief kiosk feedback may provide a practical, low-burden measure of audience-level enjoyment. Cluster analysis of questionnaire data identified three descriptive response profiles that differed primarily in overall engagement and ratings of specific artistic elements. These profiles illustrate heterogeneity within the audience of a single production. Qualitative responses from participants whose quantitative ratings were closest to each cluster centroid provided illustrative accounts of the experiences associated with these profiles. These narratives added context to the quantitative findings by showing differences in emotional tone, interpretive emphasis, and personal connection to the performance. Supplementary interviews with the director, artistic director, and an external playwright illustrated both interest in and reservations about incorporating audience data into creative work. Their comments emphasised the potential of empirical findings to support artistic reflection, while also underscoring the importance of how and when feedback is communicated within production teams.

Indexed as

DramaMusicFeedbackFemaleHumansMaleSurveys and Questionnaires

Identifiers

PMID42911928
PMCPMC13690226

What OpenQuestion holds

Textmetadata
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Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.