Evidence map›Paper›PMID 42895055›Full record

ArticleAnnals of the New York Academy of Sciences2026

Audience Gaze and Felt Social Connection With Individual Performers During Live Dance.

Albane Arthuis, Sonia Abad-Hernando, Anastasia Kokkinou, Mirko Febbo, Laura A Rai, Haeeun Lee, Matthias Sperling, Jamie A Ward, Daniel C Richardson, Guido Orgs

Abstract read
In one paragraph

Article in Annals of the New York Academy of Sciences, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

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0cells of the map it votes in
0citing papers in PubMed
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1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

10 authors.

Albane ArthuisInstitute of Cognitive Neuroscience, University College London, London, UK.
Sonia Abad-HernandoDepartment of Psychology & Neuroscience, City St George's, University of London, London, UK.
Anastasia KokkinouInstitute of Cognitive Neuroscience, University College London, London, UK.
Mirko FebboInstitute of Cognitive Neuroscience, University College London, London, UK.
Laura A RaiInstitute of Cognitive Neuroscience, University College London, London, UK.
Haeeun LeeInstitute of Cognitive Neuroscience, University College London, London, UK.
Matthias SperlingIndependent Artist & Choreographer, London, UK.
Jamie A WardDepartment of Computing, Goldsmiths, University of London, London, UK.
Daniel C RichardsonDepartment of Experimental Psychology, University College London, London, UK.
Guido OrgsInstitute of Cognitive Neuroscience, University College London, London, UK.

Funding

European Research Council
6 · The paper itself

Abstract

In everyday social interactions, our looking behavior reflects our relationships with others, but the role that social perception plays for engagement with the performing arts is understudied. We commissioned the durational, community-focused, 16-h dance performance How Shall We Begin Again?, comprising a continuous relay of individual improvised performances by 50 people over 2 consecutive days. During the performance, we recorded eye movements and mobile EEG from 88 audience members who entered and exited the performance space freely. Audience members reported on their experience of individual performers immediately after leaving the performance space. Gaze toward people in the scene showed a significant indirect association with felt social connection through self-reported focus on individual performers; the overall gaze-connection association, however, was not statistically significant. Individual differences in mind wandering, dance experience, and empathy were associated with gaze and engagement measures, but not with felt social connection. Finally, EEG alpha power decreased and EEG delta/gamma power increased when dance was accompanied by music. Together, these data suggest that engagement with dance depends not only on what is being performed (dance/choreography/music) but also on who is performing, highlighting that dance is an inherently embodied art form that can foster social connections between people.

Indexed as

DancingEye MovementsFixation, OcularInterpersonal RelationsAdultAttentionElectroencephalographyEmpathyFemaleHumansMaleSocial BehaviorSocial PerceptionYoung Adultcollective attentioncollective engagementdancegazemobile EEGsocial connection

Identifiers

PMID42895055
PMCPMC13678572

What OpenQuestion holds

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Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.