Evidence map›Paper›PMID 42852342›Full record

ArticleACS omega2026

Assessing Acrylic Inks: A Study of Colorants and Lightfastness.

Teodora Raicu, Matea Krmpotić, Iva Bogdanović Radović, Zdravko Siketić, Katja Sterflinger, Dubravka Jembrih-Simbürger

Abstract read
In one paragraph

Article in ACS omega, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

6 authors.

Teodora RaicuInstitute of Natural Sciences and Technology in the Arts (INTK), Academy of Fine Arts Vienna, Kelsenstrasse 2, Vienna A-1030, Austria.ORCID https://orcid.org/0009-0007-0215-1784
Matea KrmpotićDivision of Experimental Physics, Laboratory for Ion Beam Interactions, Ruđer Bošković Institute, Bijenička cesta 54, Zagreb HR-10000, Croatia.ORCID https://orcid.org/0000-0002-5118-217X
Iva Bogdanović RadovićDivision of Experimental Physics, Laboratory for Ion Beam Interactions, Ruđer Bošković Institute, Bijenička cesta 54, Zagreb HR-10000, Croatia.ORCID https://orcid.org/0000-0002-4100-736X
Zdravko SiketićDivision of Experimental Physics, Laboratory for Ion Beam Interactions, Ruđer Bošković Institute, Bijenička cesta 54, Zagreb HR-10000, Croatia.ORCID https://orcid.org/0000-0002-7358-8090
Katja SterflingerInstitute of Natural Sciences and Technology in the Arts (INTK), Academy of Fine Arts Vienna, Kelsenstrasse 2, Vienna A-1030, Austria.ORCID https://orcid.org/0000-0002-0296-6728
Dubravka Jembrih-SimbürgerInstitute of Natural Sciences and Technology in the Arts (INTK), Academy of Fine Arts Vienna, Kelsenstrasse 2, Vienna A-1030, Austria.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Acrylic inks, derived from acrylic emulsion paints, have become increasingly favored by contemporary artists. These inks have advanced traditional watercolor techniques by improving water resistance and color intensity. This work presents the first systematic study on acrylic inks, focusing on synthetic organic pigments (SOPs) and their photodegradation behavior. A minimally invasive analytical protocol, requiring no chemical sample treatment, was developed on acrylic ink-on-paper mock-ups for direct SOP identification, combining μ-Raman spectroscopy and secondary ion mass spectrometry with MeV primary ions (MeV SIMS). Pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS) was applied to selected mock-ups for binder and additive identification, which also influenced photodegradation. The examined acrylic inks were originally used by the Austrian caricaturist Erich Sokol (1933-2003) and manufactured by Schmincke, Rotring, and Winsor & Newton. Mock-ups were aged using a microfading tester (MFT) under LED illumination and analyzed before and after aging. For comparison, selected unaged ink mock-ups were displayed for one year under actual museum conditions. Despite the manufacturers' claims of lightfastness, both procedures (MFT aging and museum display) revealed chemical changes in several SOPs. Results show SOP mixtures present in most acrylic inks. In some instances, one pigment within a mixture appeared to degrade faster than the otherse.g., PY13 relative to PY83 in yellow inks, or PY14 relative to PG36 and PY74 in green inks. The applied approach was verified on a minute sample from one of Sokol's caricatures, demonstrating its effectiveness for minimally invasive SOP identification in modern and contemporary works on paper.

Identifiers

PMID42852342
PMCPMC13648065

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.