ArticleFrontiers in psychology2026
Eye gaze in live-electronic music performance: visual information and looking-listening interplay.
Article in Frontiers in psychology, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.
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Abstract
Gaze tracking in music performance research often pertains to acoustic instrument performance. The differences between live-electronic music performance and acoustic instrument performance warrant an investigation of how performers use gaze in live-electronic music performance. We examine the combined use of gaze tracking recordings of 18 live-electronic performances with post-performance stimulated recall interviews with the goal of gathering qualitative information about gaze and the live-electronics setup. We identify two primary functional categories of gaze: visual information and looking-listening interplay. Visual information entails gathering visual feedback about the state of the setup and locating targets for hand-eye coordination. Beyond visual information gathering, gaze appears to actively shape auditory perception: participants reported that looking at an interface element facilitates retrieval of memory representations of a live-electronics setup, such as mappings or signal paths. Through visuospatial attention, gaze may support auditory information processing within the complex soundscapes of live-electronic music performance.
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