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ArticleBMJ open2026

Efficacy of music-based telerehabilitation after stroke: protocol description of a randomised controlled trial.

Ella Laakso, Emma Oksanen, Lotta Maaria Kaila, Ilja Salakka, Jaakko Kauramäki, Netta Lahdenperä, Anni Pitkäniemi, Aleksi J Sihvonen, Nella Moisseinen, Teppo Särkämö

Registry-linked trialAbstract readClinical Trial Protocol
In one paragraph

Article in BMJ open, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. It is linked to trial NCT06804304 (Efficacy of Music-Based Telerehabilitation After Stroke), which is not on this map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

NCT06804304 narecruitingnot on this map

Efficacy of Music-Based Telerehabilitation After Stroke

TypeinterventionalSponsorTeppo SarkamoRan2025 to 2028Enrolled100ConditionsStrokeArmsMusic-based telerehabilitation
3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

10 authors.

Ella Laakso *Cognitive Brain Research Unit and Centre of Excellence in Music, Mind, Body and Brain - Department of Psychology, Faculty of Medicine, University of Helsinki, Helsinki, Finland ella.laakso@helsinki.fi.ORCID http://orcid.org/0009-0001-4037-8038
Emma Oksanen *Cognitive Brain Research Unit and Centre of Excellence in Music, Mind, Body and Brain - Department of Psychology, Faculty of Medicine, University of Helsinki, Helsinki, Finland.ORCID http://orcid.org/0009-0009-2407-8156
Lotta Maaria KailaCognitive Brain Research Unit and Centre of Excellence in Music, Mind, Body and Brain - Department of Psychology, Faculty of Medicine, University of Helsinki, Helsinki, Finland.ORCID http://orcid.org/0000-0002-5153-8316
Ilja SalakkaCognitive Brain Research Unit and Centre of Excellence in Music, Mind, Body and Brain - Department of Psychology, Faculty of Medicine, University of Helsinki, Helsinki, Finland.
Jaakko KauramäkiCognitive Brain Research Unit and Centre of Excellence in Music, Mind, Body and Brain - Department of Psychology, Faculty of Medicine, University of Helsinki, Helsinki, Finland.ORCID http://orcid.org/0000-0002-6019-7920
Netta LahdenperäCognitive Brain Research Unit and Centre of Excellence in Music, Mind, Body and Brain - Department of Psychology, Faculty of Medicine, University of Helsinki, Helsinki, Finland.
Anni PitkäniemiCognitive Brain Research Unit and Centre of Excellence in Music, Mind, Body and Brain - Department of Psychology, Faculty of Medicine, University of Helsinki, Helsinki, Finland.
Aleksi J SihvonenCognitive Brain Research Unit and Centre of Excellence in Music, Mind, Body and Brain - Department of Psychology, Faculty of Medicine, University of Helsinki, Helsinki, Finland.
Nella Moisseinen *Cognitive Brain Research Unit and Centre of Excellence in Music, Mind, Body and Brain - Department of Psychology, Faculty of Medicine, University of Helsinki, Helsinki, Finland.ORCID http://orcid.org/0000-0003-0697-4925
Teppo Särkämö *Cognitive Brain Research Unit and Centre of Excellence in Music, Mind, Body and Brain - Department of Psychology, Faculty of Medicine, University of Helsinki, Helsinki, Finland.ORCID http://orcid.org/0000-0002-1470-4530

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

introductionWith the rapid ageing of the population, the prevalence and public health burden of stroke continue to rise. Many patients are left without sufficient access to multidisciplinary rehabilitation that addresses the complexity of stroke symptoms, including deficits in motor, cognitive and verbal functioning as well as emotional well-being. Several music-based rehabilitation methods, such as instrument playing, rhythm exercises, singing and music listening, have shown promising effects across these domains. In addition, interest in stroke telerehabilitation has grown as a way to improve accessibility and efficiency of rehabilitation when healthcare resources are limited. However, the effectiveness and usability of a multidimensional, music-based telerehabilitation programme for stroke recovery have not yet been systematically investigated. In the present project, we (1) developed a novel music-based telerehabilitation programme for patients who had a stroke, which combines different music-based rehabilitation methods (singing, playing, rhythmic movement, music listening); (2) evaluate whether the programme can enhance verbal, motor, cognitive and emotional recovery and induce structural and functional neuroplasticity changes in patients who had a stroke; and (3) explore how patients' clinical and demographic factors, musical background and current post-stroke musical skills affect the programme's efficacy. METHODS AND ANALYSIS: In this parallel-group randomised controlled trial, 100 patients who had a stroke recruited from Southern Finland receive either the music-based telerehabilitation programme (10 weeks, 5 days/week, 60 min/day) or standard care and rehabilitation. Participants in the music intervention group are assigned according to lesion laterality either to singing-based (left-hemisphere stroke) or playing-based (right-hemisphere stroke) training. Both subgroups receive rhythm-based training targeting cognitive deficits and music listening targeting emotional well-being. Efficacy is assessed over a 6-month follow-up period using standardised verbal, motor and neuropsychological tests; questionnaires on mood, daily functioning and quality of life; and structural and functional MRI. Clinical and demographic background information as well as musical abilities are assessed at baseline. ETHICS AND DISSEMINATION: Ethical approval has been obtained in Finland 12/24. Results will be presented in international and national conferences and published in international scientific journals and in journals for clinical professionals and patient associations in Finland. TRIAL REGISTRATION NUMBER: NCT06804304.

Indexed as

Music TherapyStrokeStroke RehabilitationAgedFemaleHumansMaleMiddle AgedQuality of LifeRandomized Controlled Trials as TopicTelerehabilitationTreatment OutcomeClinical trialsCognitionStrokeStroke RehabilitationTelemedicine

Identifiers

PMID42785935
PMCPMC13630051

What OpenQuestion holds

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Registered trials

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.