Evidence map›Paper›PMID 42756870›Full record

ArticleFrontiers in psychology2026

Audience attitudes and aesthetic perception of digitally empowered contemporary lacquer painting: a survey-based technology-imagery-perception model.

Yuanyuan Liu

Abstract read
In one paragraph

Article in Frontiers in psychology, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

1 author.

Yuanyuan LiuSchool of Art, Huangshan University, Tunxi, Anhui, China.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Contemporary lacquer painting faces challenges of audience engagement, interpretive accessibility, and digital dissemination. To avoid conflating actual technology exposure with respondents' beliefs about technology, this study is positioned as a survey-based examination of audience attitudes toward digitally empowered lacquer painting. A technology-imagery-perception (TIP) model is used to examine whether perceived immersive, interactive, and distributed affordances are associated with three imagery characteristics: sensible scene, imaginable atmosphere, and virtual-real imagination. Data from 425 valid questionnaires were analyzed using reliability and validity tests, correlations, multiple regression, an interaction analysis, and a constrained bootstrap serial indirect-association analysis. Perceived immersive, interactive, and distributed affordances were positively associated with sensible scene, imaginable atmosphere, and virtual-real imagination, respectively. The three imagery characteristics were also positively associated with emotional resonance, cognitive evaluation, and behavioral intention. The constrained model identified two non-causal indirect components through emotional resonance alone and through emotional resonance followed by cognitive evaluation; technology acceptance also conditioned the virtual-real-imagination-behavioral-intention association. Because the evidence is cross-sectional and self-reported, these findings describe associations among perceptions and attitudes rather than causal effects of actual digital technologies.

Indexed as

aesthetic perceptiondigital empowermentlacquer painting imagery characteristicstechnology acceptance modelvirtual-real integration

Identifiers

PMID42756870
PMCPMC13584868

What OpenQuestion holds

Textmetadata
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.