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ArticleThe African archaeological review2026

Auditory Affordances of Game Pass Shelter (South Africa): Implications for Performative Practices and Multisensory Engagement with San Rock Art.

Neemias Santos da Rosa, Lidia Alvarez-Morales, Diego Moreno-Iglesias, Ghilraen Laue, Margarita Díaz-Andreu

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Article in The African archaeological review, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

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4 · The record

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5 · Who and what money

Authors and funding

5 authors.

Neemias Santos da RosaFrench National Centre for Scientific Research - CNRS, UMR 5199 PACEA, University of Bordeaux, Bâtiment B2, Allée Geoffroy Saint Hilaire CS 50023, 33615 Pessac Cedex, France.ORCID 0000-0001-8800-146X
Lidia Alvarez-MoralesInstitut d'Arqueologia - Departament d'Història i Arqueologia, Universitat de Barcelona, Carrer de Montalegre 6, 08001 Barcelona, Spain.ORCID 0000-0003-2369-0537
Diego Moreno-IglesiasInstitut d'Arqueologia - Departament d'Història i Arqueologia, Universitat de Barcelona, Carrer de Montalegre 6, 08001 Barcelona, Spain.ORCID 0000-0001-9517-2486
Ghilraen LaueRock Art Research Institute, University of the Witwatersrand, Private Bag X3, Wits 2050 Johannesburg, South Africa.ORCID 0000-0002-0710-0878
Margarita Díaz-AndreuInstitut d'Arqueologia - Departament d'Història i Arqueologia, Universitat de Barcelona, Carrer de Montalegre 6, 08001 Barcelona, Spain.ORCID 0000-0003-1043-2336

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Sensory research on San rock art has often focused on whether acoustic effects influenced the selection of places to be painted or engraved. This article addresses the issue from a different perspective by examining the auditory affordances of Game Pass shelter, one of the most iconic rock art sites in southern Africa. Using impulse-response measurements adapted from room acoustics, we analyzed reverberation, clarity, definition, and sound strength within the shelter. The results show that Game Pass is acoustically "dry," with low reverberation and local reinforcement of direct sound through early reflections. Rather than producing spectacular sonic effects, the site offers conditions in which sounds involved in performative practices could remain clear while gaining presence at specific listening positions. Although these measurements do not demonstrate that specific performances took place at the shelter, they indicate the kinds of sonic practices Game Pass could have supported. More generally, the study suggests that the acoustic significance of painted shelters may lie less in unusual phenomena than in how their auditory affordances facilitate performances involving sound and contribute to multisensory engagement with rock art.

Indexed as

ArchaeoacousticsGame Pass shelterMaloti-Drakensberg MountainsPerformative practicesSan rock artSouth Africa

Identifiers

PMID42724197
PMCPMC13558381

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