Evidence map›Paper›PMID 42719705›Full record

ReviewFrontiers in psychology2026

Human-AI emotional resonance in generative music: a mini-review of authorship attribution, affective response, and aesthetic evaluation.

Wenting He, Yuyi Sun

Abstract readReview
In one paragraph

Review in Frontiers in psychology, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors.

Wenting HeZhengzhou University, Zhengzhou, China.
Yuyi SunLudong University, Yantai, China.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Generative artificial intelligence is increasingly involved in music creation, raising important questions about how listeners emotionally respond to music that is generated by, or attributed to, AI. This mini-review synthesizes recent empirical research on listeners' emotional, aesthetic, and physiological responses to AI-generated music. Existing evidence suggests that AI systems can reproduce some acoustic cues associated with basic emotional categories and may elicit measurable affective or attentional responses under specific conditions. However, listeners' evaluations are shaped not only by acoustic features but also by authorship attribution. Several studies report lower liking, perceived quality, authenticity, or engagement when music is attributed to AI, although null and occasionally reversed label effects have also been observed. To explain this pattern, this review proposes a dual-process framework that distinguishes between low-level acoustic-emotional processing and high-level source-based appraisal involving agency, intentionality, authenticity, and human experience. Overall, current evidence supports a partial dissociation between immediate affective responses and higher-order cognitive evaluation. Whether AI-generated music can support deeper forms of emotional resonance, such as long-term attachment, perceived understanding, personal meaning, or source-based empathy, remains insufficiently established. Future research should use identical-audio attribution designs, stricter audio-quality matching, cross-genre comparisons, and longitudinal listening paradigms.

Indexed as

aesthetic evaluationAI-generated musicauthorship attributionemotional resonanceexpectancy effectgenerative AIhuman–AI interactionmusic psychology

Identifiers

PMID42719705
PMCPMC13556200

What OpenQuestion holds

Textmetadata
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.