Evidence map›Paper›PMID 42704555›Full record

ReviewIntegrative psychological & behavioral science2026

A Semiotic Cultural Psychology Analysis of Musical Improvisation: Creativity as an Affective-Sociocultural Act.

Diogo Monzo, Vlad P Glăveanu

Abstract readReview
In one paragraph

Review in Integrative psychological & behavioral science, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors.

Diogo MonzoInstitute of Psychology, University of Brasília, Brasília, Brazil. diogomonzo@gmail.com.ORCID http://orcid.org/0009-0000-8033-8498
Vlad P GlăveanuDCU Business School, Dublin City University, Dublin, Ireland.ORCID http://orcid.org/0000-0002-6029-6718

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

This article examines the role of Affectivity in collaborative musical improvisation from a cultural-semiotic perspective. Drawing on published empirical accounts of free and jazz improvisation, we analyze how affective-semiotic regulation participates in the changing relations among musicians, musical materials, perspectives, and possibilities for action. The analysis focuses on pleromatization and schematization, perspectival-reflective semiosis, self-regulation, and orientation toward future possibilities. We argue that Affectivity operates across the distributed relations described by the 5 A's framework, participating in how these relations acquire significance and orient creative action. On this basis, the 6 A's Model is proposed as a heuristic extension that makes this transversal regulatory dimension explicit. The article contributes an affective-semiotic account of how creative activity can remain organized while preserving openness to possibilities that are not determined in advance.

Indexed as

AffectCreativityCultureMusicHumansAffective-Semiotic RegulationCreativityCultural PsychologyDevelopmental ProcessesDistributed CreativityMusical Improvisation

Identifiers

PMID42704555
PMCPMC13550051

What OpenQuestion holds

Textmetadata
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Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.