Evidence map›Paper›PMID 42406106›Full record

ArticlePsychological research2026

Sounds of creativity: musical, creative, and language factors associated with singing and creative singing.

Christine Groß, Markus Christiner

Abstract read
In one paragraph

Article in Psychological research, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 1 paper.

0numbers the graph read from it
0cells of the map it votes in
1citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

1 citing paper in PubMed.

  1. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors.

Christine GroßJazeps Vitols Latvian Academy of Music, K. Barona Street 1, Riga, LV-1050, Latvia.
Markus ChristinerJazeps Vitols Latvian Academy of Music, K. Barona Street 1, Riga, LV-1050, Latvia. markus.christiner@uni-graz.at.ORCID https://orcid.org/0000-0003-3875-7191

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Singing integrates musical, linguistic, and creative abilities. This study examined how musical aptitude, linguistic skills, and domain-general creativity jointly predict both standard and creative forms of singing. One hundred and eleven adults completed a standardized battery assessing beat perception (CA-BAT), melodic discrimination (MDT), mistuning perception (MPT), musical self-assessment scales, musical engagement, musical socialisation, and creative task-solving competence. Linguistic expressivity was measured through expressive reading of the fable The North Wind and the Sun, and linguistic adaptability through spontaneous speech imitation in Tagalog and Mandarin, both rated by native speakers. Participants performed two singing tasks-standard and creative renditions of Happy Birthday-evaluated by expert musicians for accuracy and creativity. Stepwise multiple regressions revealed two distinct predictor constellations. Standard singing was best explained by musical engagement, expressive reading, and composite musical ability. Creative singing, by contrast, was predicted by spontaneous speech imitation, expressive reading, and creative problem-solving competence when musical predictors were excluded. These findings indicate that vocal creativity relies on flexible auditory-motor coupling, prosodic expressivity, and cognitive flexibility, rather than musical skill alone. The results highlight the integrative nature of singing as a multimodal form of vocal creativity emerging from interactions among musical, linguistic, and cognitive systems.

Indexed as

Auditory PerceptionCreativityLanguageMusicSingingAdolescentAdultAptitudeFemaleHumansMaleYoung Adult

Identifiers

PMID42406106
PMCPMC13337679

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.