Evidence map›Paper›PMID 42380467›Full record

ArticleScientific reports2026

Live music enhances self-reported audience immersion and physiological synchrony compared to live-streaming.

Felix Carter, Guoda Laurinavičiūtė, Emma Harrison, Theodor R W Kozlowski, Matteo Antona, Charlotte Butler, Jakub Nawała, Mike Richardson, Danaë Stanton Fraser, Iain D Gilchrist

Abstract read
In one paragraph

Article in Scientific reports, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

10 authors.

Felix CarterSchool of Psychological Science, University of Bristol, 12A Priory Road, Bristol, BS8 1TU, UK. f.carter@bristol.ac.uk.
Guoda LaurinavičiūtėSchool of Computer Science, University of Bristol, Bristol, UK.
Emma HarrisonDepartment of Psychology, University of Bath, Bath, UK.
Theodor R W KozlowskiDepartment of Psychology, University of Bath, Bath, UK.
Matteo AntonaSchool of Psychological Science, University of Bristol, 12A Priory Road, Bristol, BS8 1TU, UK.
Charlotte ButlerDepartment of Psychology, University of Bath, Bath, UK.
Jakub NawałaSchool of Psychological Science, University of Bristol, 12A Priory Road, Bristol, BS8 1TU, UK.
Mike RichardsonDepartment of Psychology, University of Bath, Bath, UK.
Danaë Stanton FraserDepartment of Psychology, University of Bath, Bath, UK.
Iain D GilchristSchool of Psychological Science, University of Bristol, 12A Priory Road, Bristol, BS8 1TU, UK.

Funding

UK Research and Innovation SIPF00006/1
6 · The paper itself

Abstract

Before the late 19th century, experiencing music required being physically present with performing musicians. Since then, many methods have attempted to replicate this live experience, most recently livestreaming. It remains unclear to what extent livestreams can replicate the live experience for audience members. To address this, we directly compared audience responses (N = 296) to live and livestream performances of two concerts (one jazz, one classical). On arrival at the concert venue, participants were randomly assigned to be physically present in the performance space, or watching a simultaneous, professionally-filmed livestream in a separate room. Questionnaire responses revealed increased reported immersion; increased intent to listen again to the artist and increased intent to return to the venue in the physically present group. This group also had significantly increased levels of heart rate synchrony. In summary, being physically present was associated with an enhanced audience experience compared to viewing a livestream broadcast on all measures. We found no evidence that seating position affects the live experience, whereas for the livestream experience viewing angle (e.g., as altered by camera angle) does significantly impact the experience. Future research should examine which perceptual qualities are important for optimising experiences for both live and livestreamed concert audiences.

Indexed as

Audience experienceHeart-rate synchronyImmersionLive musicLivestreaming

Identifiers

PMID42380467
PMCPMC13619450

What OpenQuestion holds

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.