Evidence map›Paper›PMID 42251032›Full record

ArticleScientific reports2026

An adaptive emotion aware music education system using machine learning for personalized emotional wellbeing enhancement.

Xinyun Deng, Yongxin Zhou, Xingzhi Guan, Yuhui Wang

Abstract read
In one paragraph

Article in Scientific reports, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

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0citing papers in PubMed
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1 · What the graph read from it

What it found

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The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

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3 · Its place in the literature

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0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

4 authors.

Xinyun DengSchool of Architecture and Art, Central South University, Changsha, 410083, Hunan, China.
Yongxin ZhouSchool of Music, Theatre & Dance, University of Michigan, Ann Arbor, MI, 48109, USA. yongxinzhou091@gmail.com.
Xingzhi GuanFaculty of Social Sciences & Liberal Arts, UCSI University, Kuala Lumpur, 56000, Malaysia.
Yuhui WangSchool of Architecture and Art, Central South University, Changsha, 410083, Hunan, China.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Music education is crucial to cognitive and emotional well-being. Nevertheless, the traditional approaches are not personalized and are unable to dynamically respond to the affective states of the learners, restricting their influence on the emotional interest. As a solution to this void, we will design an Adaptive Emotion-Aware Music Education System (AEMES) which can use the techniques of machine learning to monitor, model and respond to the real-time emotions of learners. The originality of this framework is that it is based on an integrated combination of emotion modeling, adaptive strategy selection, and personalized intervention mechanisms that allow the system to achieve continuous engagement of learners and promote emotional wellbeing. The suggested approach is strictly tested on a variety of datasets that include multimodal responses of learners, which include physiological data, facial expressions and behavioral interactions. In comparison with state-of-the-art methods that include CNN-LSTM, Audio-Transformer, and Visual-Transformer models, it is shown that AEMES performs much better than the existing methods in standard performance measures. The proposed framework has a quantitative performance of an accuracy of 87.2%, F1-score of 85.7% and AUROC of 0.91 compared to baseline models, which have a margin of over 4-8% across measures. The role of emotion modeling and adaptive strategies to the overall performance of the system is also confirmed by ablation studies. Emotional pathways (both in terms of time trends and multi-emotional interactions) visualization illustrates the possibility of the framework to dynamically control emotion of learners and ensure that it does not go negative during learning sessions. The overall results support the claim that AEMES is effective in providing personalized, emotion-sensitive music education, which would prove to be a powerful method of improving the learning process and emotional wellbeing.

Indexed as

EmotionsMachine LearningMusicAdaptive AlgorithmsFacial ExpressionHumansPsychological Well-BeingSoft ComputingAdaptive learning systemsAffective computingEmotional wellbeingEmotion-aware music educationMachine learning

Identifiers

PMID42251032
PMCPMC13483945

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.