Evidence map›Paper›PMID 42026097›Full record

ArticleScientific reports2026

Decoding the evolution of melodic and harmonic structure of Western music through the lens of network science.

Niccolò Di Marco, Edoardo Loru, Alessandro Galeazzi, Matteo Cinelli, Walter Quattrociocchi

Abstract read
In one paragraph

Article in Scientific reports, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 1 paper.

0numbers the graph read from it
0cells of the map it votes in
1citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

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Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

1 citing paper in PubMed.

  1. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors.

Niccolò Di MarcoDepartment of Legal, Social, and Educational Sciences, Tuscia University, Viterbo, Italy. niccolo.dimarco@unitus.it.
Edoardo LoruDepartment of Computer, Control and Management Engineering, Sapienza University of Rome, Rome, Italy.
Alessandro GaleazziDepartment of Mathematics, University of Padova, Padova, Italy.
Matteo CinelliDepartment of Computer Science, Sapienza University of Rome, Rome, Italy.
Walter QuattrociocchiDepartment of Computer Science, Sapienza University of Rome, Rome, Italy. walter.quattrociocchi@uniroma1.it.

Funding

UK government SCH-0001-3391
6 · The paper itself

Abstract

Music has always been central to human culture, reflecting and shaping traditions, emotions, and societal changes. Therefore, analysing the quantitative properties of musical compositions can provide insights into specific aspects of human cultural evolution. In this study, we conduct a large-scale analysis of approximately 20,000 musical pieces rooted in Western musical practices. The resulting dataset encompasses MIDI transcriptions of works from six major macro-genres, spanning nearly four centuries of musical history. We model musical composition as weighted directed networks, enabling a systematic investigation of melodic and harmonic properties through a network-based representation of music. Our results show that different genres have distinct topological and musical properties, providing valuable insights into the origins of their differences. Moreover, a temporal analysis reveals systematic changes in network-based measures, suggesting a trend toward increasing similarity and reduced complexity in the melodic and harmonic structures. Notably, within this analytical perspective, even long-established and structurally complex genres such as Classical and Jazz display patterns that are increasingly comparable to those of more recent genres.

Identifiers

PMID42026097
PMCPMC13106658

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.