Evidence map›Paper›PMID 42021756›Full record

ArticleLa Medicina del lavoro2026

Self-Reported Non-Auditory Effects of High Sound Pressure Levels Exposure in Academic Musicians in Uruguay.

Alice Elizabeth González, Fernando Tomasina, Julián D Ortiz Umaña, Lady Carolina Ramírez, Bettina Tellechea, Adriana Pisani

Abstract read
In one paragraph

Article in La Medicina del lavoro, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

6 authors.

Alice Elizabeth GonzálezDepartment of Environmental Engineering, Faculty of Engineering, Universidad de la República, Uruguay.ORCID 0000-0002-2827-5052
Fernando TomasinaAcademic Unit of Occupational Health, Faculty of Medicine, Universidad de la República, Uruguay.
Julián D Ortiz UmañaDepartment of Environmental Engineering, Faculty of Engineering, Universidad de la República, Uruguay.
Lady Carolina RamírezDepartment of Environmental Engineering, Faculty of Engineering, Universidad de la República, Uruguay.
Bettina TellecheaAcademic Unit of Occupational Health, Faculty of Medicine, Universidad de la República, Uruguay.
Adriana PisaniAcademic Unit of Occupational Health, Faculty of Medicine, Universidad de la República, Uruguay.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

backgroundWhile hearing loss is the most emblematic effect of exposure to high sound pressure levels, it is not neither the first nor the only one. This article explores self-reported effects of exposure to high sound pressure levels among a population of 306 academic musicians (singers, choir members and instrumentalists) in Uruguay.

methodsA special anamnesis form was prepared for use in interviews of each of the participants. The collected information was anonymized and processed. Some interesting results were found, both through direct processing and PCA analysis.

resultsMost participants reported several non-auditory effects. These were classified by sex, age, and role (singer or instrumentalist, voice type, or played instrument).

conclusionsAmong the reported effects, the most prevalent were muscle contractures, fatigue/tiredness, difficulty sleeping, and noise sensitivity, followed by arthralgia and headaches. The most frequent effects in women were muscle contracture (86%), followed by tiredness/fatigue, noise susceptibility, and tinnitus. The most frequent effects in men were muscle contracture (68%), followed by tinnitus, noise susceptibility, and irritability after musical activity. It was possible to establish some "effects profiles" according to instrument and gender. For example, woodwind players experience muscle contracture, tinnitus, post-musical activity irritability, noise susceptibility, and decreased performance, while soprano singers have a higher prevalence of muscle contracture, tiredness/fatigue, noise sensitivity, difficulty sleeping, arthralgia, digestive disorders, headache, tinnitus, and vertigo. They are the second most affected category of musicians, according to their effect profile.

Indexed as

MusicNoise, OccupationalOccupational DiseasesOccupational ExposureAdultFatigueFemaleHumansMaleMiddle AgedSelf ReportTinnitusUruguayYoung Adult

Identifiers

PMID42021756
PMCPMC13142743

What OpenQuestion holds

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Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.