Evidence map›Paper›PMID 41998802›Full record

ArticleInternational journal of qualitative studies on health and well-being2026

The hidden hazards of clay: a qualitative exploration of silica exposure and well-being in ceramic art studios.

Charles Vicku, Albert Essuman, Samuel Nii Adamah Sampah, Kofi Adjei, Samuel Nortey, Robert Amoanyi

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Article in International journal of qualitative studies on health and well-being, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

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1 · What the graph read from it

What it found

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The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

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3 · Its place in the literature

Who cites it

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No citing paper in PubMed yet.

4 · The record

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5 · Who and what money

Authors and funding

6 authors.

Charles VickuDepartment of Industrial Art, Ho Technical University, Ho, Ghana.ORCID 0000-0001-8145-3068
Albert EssumanDepartment of Industrial Art, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana.ORCID 0009-0006-1245-0465
Samuel Nii Adamah SampahDepartment of Industrial Art, Ho Technical University, Ho, Ghana.ORCID 0000-0002-9753-0694
Kofi AdjeiDepartment of Industrial Art, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana.ORCID 0000-0002-9496-2571
Samuel NorteyDepartment of Industrial Art, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana.ORCID 0000-0003-3096-7338
Robert AmoanyiDepartment of Industrial Art, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana.ORCID 0000-0002-5230-2743

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

purposeThis study examines how Ghanaian ceramic artists and students perceive and respond to crystalline silica exposure in studio environments, situated within Ghana's ceramic traditions where safety infrastructure and occupational health regulation remain uneven, and how these experiences influence health awareness and artistic identity in creative practice. METHODOLOGY: A qualitative interpretive phenomenological design was employed, using in-depth interviews with fifty Ghanaian ceramic artists and students with at least one year of active studio practice and exposure to clay-processing. Participants were selected regardless of respiratory symptoms to capture lived experiences. Participant observation was conducted in selected studios, and thematic analysis was applied to narratives to explore meaning-making and changing perceptions of silica-related health risks.

resultsFindings identified a process through which artists integrate health awareness into their artistic identity, moving from initial disbelief about clay-related danger to increased bodily awareness, fear, and negotiating of normalized studio risk. Participants reported persistent chronic cough, chest tightness, and breathing difficulties associated with prolonged dust exposure, generatinganxiety and behavioral adaptations.

conclusionsSilica exposure is a cultural, educational, and institutional issue, requiring integrated health education, improved studio design, strengthened safety communication, and embedded occupational health practices to sustain long-term creative practice.

Indexed as

CeramicsClayOccupational ExposureOccupational HealthSilicon DioxideAdultArtFemaleGhanaHumansMaleMiddle AgedQualitative ResearchStudentsWorking ConditionsYoung AdultClaySilicon Dioxideartist well-beingceramic art studiosoccupational healthrisk perceptionSilica exposure

Identifiers

PMID41998802
PMCPMC13094269

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.