ArticleFrontiers in psychology2026
Musical self-expression and empathy as dual pathways from group music participation to pro-social behavior: a structural equation modeling approach.
Article in Frontiers in psychology, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.
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Abstract
Introduction: Pro-social behavior plays a crucial role in promoting individual social development and societal harmony. However, research suggests that pro-social behaviors among university students are not consistently enacted despite positive intentions. Group music participation offers a unique socio-emotional context that integrates emotional expression, interpersonal coordination, and shared experiences. Building on socio-emotional learning and self-determination theory, this study examines whether musical self-expression and musical empathy serve as mechanisms linking group music activity participation to pro-social behavior. Methods: Data were collected from Chinese university music students using a time-lagged survey design across three waves. A total of 387 valid responses were obtained from students enrolled in music-related programs at public universities in Inner Mongolia. Constructs including group music activity participation, musical self-expression, musical empathy, and pro-social behavior were measured using validated Likert-scale instruments. The proposed relationships and serial mediation model were analyzed using variance-based structural equation modeling (PLS-SEM). Results: The findings reveal a significant positive relationship between group music activity participation and pro-social behavior. Group music participation also positively predicts musical self-expression, which in turn enhances musical empathy. Both musical self-expression and musical empathy significantly mediate the relationship between group music activity participation and pro-social behavior. Furthermore, the results support a serial mediation pathway in which group music participation fosters musical self-expression, which subsequently promotes musical empathy and ultimately enhances pro-social behavior. Discussion: This study extends existing research by identifying socio-emotional learning mechanisms through which group music participation promotes pro-social development. The findings highlight the importance of emotional expression and empathic engagement in collaborative music-making contexts. These results provide theoretical contributions to music education and socio-emotional learning literature and offer practical implications for educators and institutions seeking to cultivate pro-social behaviors through group-based musical activities.
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