Evidence map›Paper›PMID 41822417›Full record

ReviewFrontiers in psychology2026

Mapping the relationship between flow experience and music performance anxiety: a scoping review.

Nery Borges, Helena Marinho, Marcos Araújo, Anabela Pereira, Sofia Serra

Abstract readReview
In one paragraph

Review in Frontiers in psychology, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors.

Nery BorgesDepartment of Communication and Arts, Institute of Ethnomusicology - Center for Studies in Music and Dance (INET-md), University of Aveiro, Aveiro, Portugal.
Helena MarinhoDepartment of Communication and Arts, Institute of Ethnomusicology - Center for Studies in Music and Dance (INET-md), University of Aveiro, Aveiro, Portugal.
Marcos AraújoInstituto de Artes, Programa de Pós-Graduação em Música, Universidade Federal do Rio Grande do Sul (UFRGS), Porto Alegre, Rio Grande do Sul, Brazil.
Anabela PereiraDepartment of Psychology, School of Social Sciences, Center for Research in Education and Psychology (CIEP), University of Évora, Évora, Portugal.
Sofia SerraDepartment of Communication and Arts, Institute of Ethnomusicology - Center for Studies in Music and Dance (INET-md), University of Aveiro, Aveiro, Portugal.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Introduction: This scoping review systematically mapped and synthesized the literature examining the relationship between Flow Experience (FE) and Music Performance Anxiety (MPA) in musical performance and educational contexts. Examining their interaction is crucial to understand how musicians balance emotional activation and attentional focus to achieve optimal performance states. Methods: Following PRISMA-ScR, a comprehensive search across Scopus, Web of Science, PubMed, PsycINFO, and SAGE databases identified 18 empirical studies. These were systematically analyzed according to author(s) and year, main aim, sample characteristics, measurement instruments, study design, FE-MPA interaction, mediating or moderating factors, performance setting, analytical or procedural approach and main findings. Results: Findings reveal a predominant negative correlation between FE and MPA across dispositional, situational, and psychophysiological measures. However, moderate anxiety levels can coexist with or even facilitate flow when they are interpreted as a challenge rather than a threat. Emotional self-regulation, self-efficacy, and self-esteem emerged as key mediating factors, while interventions involving yoga, mindfulness, and self-regulation training consistently reduced MPA and enhanced FE propensity. Discussion: Overall, the findings highlight a dynamic continuum between FE and MPA, suggesting that anxiety regulation is not merely inhibitory but can function as a potential precursor to flow. Despite substantial empirical work examining FE and MPA as individual constructs, the present synthesis demonstrates that an integrated understanding of their interaction remains methodologically fragmented. Future research should therefore prioritize multimodal and longitudinal designs to clarify underlying mechanisms and support the development of evidence-informed approaches to performance preparation and emotional regulation in musicians.

Indexed as

flow experienceflow experience–music performance anxiety associationmusiciansmusic performance anxietyscoping review

Identifiers

PMID41822417
PMCPMC12975976

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.