Evidence map›Paper›PMID 41768079›Full record

ArticleFrontiers in sociology2025

Representations of female characters in Bollywood cinema: stereotypes, audience perceptions, and societal impacts.

Forhana Choudhury, Swati Sharma

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Article in Frontiers in sociology, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

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1 · What the graph read from it

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2 · The registry

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3 · Its place in the literature

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4 · The record

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5 · Who and what money

Authors and funding

2 authors.

Forhana ChoudhurySchool of Social Sciences and Languages, Vellore Institute of Technology, Chennai, India.
Swati SharmaSchool of Social Sciences and Languages, Vellore Institute of Technology, Chennai, India.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Introduction: The study aims to examine how audiences perceive the contrasting portrayals of the female lead (heroine) and the item girl in Bollywood films, and to analyse how these binary representations reflect attitudes toward women's roles and identities. Grounded in the Reinforcement Theory of Motivation, the research investigates how repeated reward-punishment cues in these portrayals influence audience's interpretations and internalization of binary representations of female characters in Bollywood films. Methodology: For the study, a quantitative survey was conducted among 300 young respondents across multiple Indian states and NRI audiences. The study specifically examines audience perceptions of the heroine vs. the item girl in Bollywood, using a structured questionnaire, analyzed through ANOVA, chi-square, correlation, and regression analyses. These statistical results were further interpreted through qualitative theoretical lenses of the Reinforcement Theory of Motivation and the Madonna-Whore Dichotomy, enabling a theory-driven understanding of how audiences internalize these gendered portrayals. Results: Results elucidate a clear distinction in how audiences perceive the heroine and the item girl, with the heroine associated with virtue, respectability, and relatability, while the item girl is marked by hyper-sexualization and social deviance. Regression analyse showed that only the portrayal of the item girl and women's real-life relatabilitywere significant predictors of behavioral perceptions, while commonality and the perception that women are shown differently onscreen were not significant predictors. Meanwhile, correlation analyse indicates the persistence of compartmentalized gender binaries. Discussion: The outcomes illuminate how Bollywood songs not only reproduce gender stereotypes but also disseminate them through widespread digital circulation, intensifying their impact on young audiences. Moreover, the paper examines how Bollywood's heroine-item girl divide contributes to shaping gender norms and further restricting women's identities in Bollywood cinema.

Indexed as

audience perceptionbinary representation of womenBollywood cinemagender stereotypesitem songsMadonna-Whore dichotomymale gazesexual objectification

Identifiers

PMID41768079
PMCPMC12935684

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