Evidence map›Paper›PMID 41626287›Full record

ReviewFrontiers in rehabilitation sciences2025

Conceptual framework for creative dance-based practice in cerebral palsy rehabilitation: mini review.

Hee Joung Joung

Abstract readReview
In one paragraph

Review in Frontiers in rehabilitation sciences, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

1 author.

Hee Joung JoungSport Science Laboratory, Changwon National University, Gyeongnam, Republic of Korea.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

In recent years, shifting paradigms in cerebral palsy (CP) rehabilitation have highlighted approaches that promote autonomous movement through active participation, including goal-directed training, task-specific training, context-focused therapy, and constraint-induced movement therapy. Dance has increasingly been recognized in neurorehabilitation as a promising intervention capable of supporting physical, cognitive, and social functioning. Among various dance practices, this mini review focuses on the conceptual framework of creative dance. Creative dance centers on the process of generating movement, which aligns with contemporary paradigms in cerebral palsy rehabilitation. Additionally, because creative dance values the discovery and development of new and unique movements, it provides a setting in which movements, whether with or without disabilities, are respected and accepted as having equal value. These values play a crucial role in fostering a sense of achievement, interest, motivation, and sustained engagement, all of which are emphasized in rehabilitation for individuals with cerebral palsy. However, despite its potential, creative dance remains in the early stages of development as a rehabilitation modality. Establishing a solid evidence base will require a clearer understanding of the movement methodology underlying creative dance. In this mini review, I examine the movement methodology embedded in creative dance-based practice (CBP) and propose a conceptual framework to support its implementation within rehabilitation contexts for individuals with CP.

Indexed as

cerebral palsycreative danceLaban-based movementrehabilitationtask-specific approach

Identifiers

PMID41626287
PMCPMC12855479

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.