Evidence map›Paper›PMID 41567929›Full record

ArticlePNAS nexus2026

Timing structures in live comedy: A matched-sequence approach to mapping performance dynamics.

Vanessa C Pope, Rebecca Stewart, Elaine Chew

Abstract read
In one paragraph

Article in PNAS nexus, 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

3 authors.

Vanessa C PopeDepartment of Engineering and School of Biomedical Engineering & Imaging Sciences, King's College London, London WC2R 2LS, United Kingdom.ORCID https://orcid.org/0000-0002-9172-8296
Rebecca StewartDyson School of Design Engineering, Imperial College London, London SW7 2AZ, United Kingdom.ORCID https://orcid.org/0000-0001-6976-8024
Elaine ChewDepartment of Engineering and School of Biomedical Engineering & Imaging Sciences, King's College London, London WC2R 2LS, United Kingdom.ORCID https://orcid.org/0000-0002-8342-1024

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Live performance is a ubiquitous cultural and social behavior that has not yet benefited from systematic scientific study. We present a computational methodology that visualizes and describes timing structures in live performance, showcasing their engineering. This novel analysis framework, Topology Analysis of Matching Sequences (TAMS), automatically detects matching sequences and maps their timing. Locating material that is repeated across performances reveals the skill behind apparently effortless communication between performer and audience. Applying TAMS to two stand-up comedy tours uncovered structural features at the macro- and microlevels, including consistently placed novel material at the beginning of shows and sections dedicated to tightly timed repeated material. TAMS also provides a new frame of reference for examining audience-performer dynamics through speech microtiming and laughter. TAMS can be applied to other forms of repeated speech, such as political stump speeches, as well as extended to other types of performance, such as dance.

Indexed as

comedycultural analyticsinformaticslive performancespeech

Identifiers

PMID41567929
PMCPMC12817072

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.