Evidence map›Paper›PMID 41446822›Full record

Articlei-Perception

Pictorial spacecrafts - the Ames' Glass.

Maarten W A Wijntjes, Lianne M E Pinkse

Abstract read
In one paragraph

Article in i-Perception. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors.

Maarten W A WijntjesPerceptual Intelligence Lab, Delft University of Technology, Delft, the Netherlands.ORCID https://orcid.org/0000-0002-3657-735X
Lianne M E PinksePerceptual Intelligence Lab, Delft University of Technology, Delft, the Netherlands.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

There are various ways to evoke stereopsis without binocular disparities. Closing one eye, or looking through a synopter are well-known methods. Ames (1925) listed nine ways of generating this so-called ''plastic effect," one of which involves a cylindrically curved lens placed in front of one eye. We investigated qualitative perceptual effects of this particular way of viewing artworks. A total of 38 participants viewed three digitally reproduced paintings. Initially, they were asked to spontaneously report the perceptual effect of the lens. While being naive to the purpose of the experiment, 66% of the participants reported increased depth experience. In addition, participants reported increased contrast, color vibrancy, and material expression (e.g., increased shininess). During a second part of the experiment, we asked to report on seven qualities: depth, color, three-dimensional shape, realism, detail, light, and material. All qualities increased significantly except detail, which seemed to show idiosyncratic results: the majority of the observers experienced a decrease of detail, while a minority reported, surprisingly, an increase of detail. The results agree with previous qualitative accounts on monocular aperture viewing, despite relying on entirely different nonpictorial cues: monocular aperture viewing relies on the absence of vergence and binocular disparities, whereas the Ames' Glass relies on distorted binocular disparities while keeping vergence unchanged. Together with the synopter, for which qualitative data is lacking, the Ames Glass and monocular aperture viewing are pictorial spacecrafts fit for art gallery viewing.

Indexed as

3D perceptionbinocular visiondepthstereopsis

Identifiers

PMID41446822
PMCPMC12722682

What OpenQuestion holds

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.