Evidence map›Paper›PMID 41370329›Full record

ReviewPLoS computational biology2025

Computational modeling of rhythmic expectations: Perspectives, pitfalls, and prospects.

Atser Damsma, Jonathan Cannon, Lauren K Fink, Keith B Doelling, Jessica A Grahn, Henkjan Honing, Thomas Kaplan, Edward W Large, Fleur L Bouwer

Abstract readReview
In one paragraph

Review in PLoS computational biology, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 1 paper.

0numbers the graph read from it
0cells of the map it votes in
1citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

1 citing paper in PubMed.

  1. Critical Review on the Development and Evolution of Beat Perception.Annals of the New York Academy of Sciences · 2026
    Review
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

9 authors.

Atser DamsmaMusic Cognition Group, Institute for Logic, Language, and Computation, Amsterdam Brain and Cognition, University of Amsterdam, Amsterdam, The Netherlands.ORCID 0009-0001-6240-4145
Jonathan CannonDepartment of Psychology, Neuroscience & Behaviour, McMaster University, Hamilton, Ontario, Canada.
Lauren K FinkDepartment of Psychology, Neuroscience & Behaviour, McMaster University, Hamilton, Ontario, Canada.
Keith B DoellingUniversité Paris Cité, Institut Pasteur, AP-HP, INSERM, CNRS, Fondation Pour l'Audition, Institut de l'Audition, IHU reConnect, Paris, France.
Jessica A GrahnDepartment of Psychology & Centre for Brain and Mind, Western University, London, Ontario, Canada.
Henkjan HoningMusic Cognition Group, Institute for Logic, Language, and Computation, Amsterdam Brain and Cognition, University of Amsterdam, Amsterdam, The Netherlands.ORCID 0000-0001-7046-7923
Thomas KaplanWilliam Harvey Research Institute, Barts and the London Faculty of Medicine and Dentistry, Queen Mary University of London, London, United Kingdom.
Edward W LargeCenter for the Ecological Study of Perception and Action, Department of Psychological Sciences and Department of Physics, University of Connecticut, Storrs, Connecticut, United States of America.
Fleur L BouwerCognitive Psychology Unit, Institute of Psychology & Leiden Institute for Brain and Cognition, Leiden University, Leiden, The Netherlands.

Funding

Gamma-Music Based Intervention for Mild Alzheimer's DiseaseR01AG078376 · NIA · NORTHEASTERN UNIVERSITY · PI Edward W Large, Psyche Loui · 2022 to 2026
$2.7M
Agence Nationale de la Recherche under the France 2030 programAmsterdam Brain and Cognition (ABC) ProjectFondation Pour l’AuditionNational Institute for Health and Care Research Barts Biomedical Research Centre NIHR20333Natural Sciences and Engineering Research Council of CanadaNIA NIH HHS R01 AG078376NIH HHS 1R01AG078376
6 · The paper itself

Abstract

Rhythmic structure enables precise temporal expectations that are essential to human communication, including speech and music. Computational models have been developed to account for how humans perceive, produce, and learn rhythmic sequences. However, it is unclear how different types of models relate to each other and how they can be evaluated. In this review and perspective, we discuss how three major classes of models-entrainment, probabilistic, and timekeeper models-have been used to study rhythmic expectations. We critically assess each model class in terms of its level of explanation, the rhythmic behaviors it captures, its ability to account for learning and enculturation, and its ability to integrate other features, such as pitch. We show that entrainment, probabilistic, and timekeeper models differ substantially in the aspects of rhythmic expectations they can capture. To move the field forward, we propose that model comparison and integration are crucial. We identify key challenges to this effort, such as the varying nature of the input and output signals and divergent modeling goals. To address these challenges, we arrive at several practical recommendations: to equate input and output signals when comparing models, to consider several model outcomes beyond goodness-of-fit measures in model evaluation, to use model-integration efforts to inform theory building, and to make code and data openly accessible. Ultimately, understanding how models of rhythmic expectations relate, and how features in these models account for behavioral, neural, and cognitive aspects of rhythmic expectations, will deepen our understanding of a core aspect of human behavior.

Indexed as

Computer SimulationPeriodicityComputational BiologyHumansLearningMusic

Identifiers

PMID41370329
PMCPMC12694793

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.