Evidence map›Paper›PMID 41281363›Full record

ArticleOpen research Europe2024

Music across the love-span: a mixed methods study into the use of music in romantic relationships.

Julia Vigl, Joshua S Bamford, Abbigail Fleckenstein, Suvi Saarikallio

Abstract read
In one paragraph

Article in Open research Europe, 2024. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 1 paper.

0numbers the graph read from it
0cells of the map it votes in
1citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

1 citing paper in PubMed.

  1. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

4 authors.

Julia ViglPsychologie, Universitat Innsbruck Fakultät für Psychologie und Sportwissenschaft, Innsbruck, Tyrol, 6020, Austria.ORCID https://orcid.org/0000-0003-2152-7584
Joshua S BamfordDepartment of Music, Art and Culture Studies, University of Jyväskylä, Jyväskylä, Central Finland, 40014, Finland.ORCID https://orcid.org/0000-0002-8204-7915
Abbigail FleckensteinDepartment of Psychology; RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway, 0316, Norway.ORCID https://orcid.org/0009-0003-1835-2098
Suvi SaarikallioDepartment of Music, Art and Culture Studies, University of Jyväskylä, Jyväskylä, Central Finland, 40014, Finland.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Background: Music is known to be a powerful tool for social bonding, but its role in romantic relationships remains poorly understood. The present study explored the perceived relevance of music to three core aspects of love (intimacy, passion and commitment) across three relationship stages: attraction, building, and maintenance. Methods: Using a mixed-methods approach, 174 participants (83% female, 14% male, 3% other) responded to self-report ratings assessing the role of music for the three aspects of love across the three relationship stages, as well as open-ended questions reflecting on their music-related experiences at each relationship stage. Results: Results from quantitative ratings showed that music promotes intimacy and passion, particularly during the attraction and building phases, with less impact on commitment and during the maintenance phase. Participants with greater musical expertise and sensitivity to music-related reward rated music as more important overall and as contributing more strongly to aspects of love, with this pattern remaining consistent across relationship phases and aspects of love. This suggests that musical ability and preference may be used across relationship stages as tools to assess compatibility between partners, rather than being generally attractive traits. Qualitative analysis of 351 coded open responses revealed a set of 55 key musical actions (e.g., listening, sharing and making music) and outcomes (e.g., bonding, (re)connecting and assessing compatibility) related to participants' use of music throughout the three relationship stages. Themes such as signalling attraction and emotional communication were most prominent in the attraction phase, whereas bonding through shared musical activities was more common in later phases. Conclusion: The present study provides a first systematic investigation of the role of music for different phases and aspects of romantic relationships. The findings provide valuable insights for music research, relationship studies, and therapeutic practice, highlighting the role of music in fostering connection and intimacy in romantic relationships.

Indexed as

attractivenesscompatibilitymate selectionMusicromantic relationshipssocial bonding

Identifiers

PMID41281363
PMCPMC12631075

What OpenQuestion holds

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LicenceCC BY
Read underepoch 390

Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.