Evidence map›Paper›PMID 41268935›Full record

ArticleBritish journal of psychology (London, England : 1953)2026

On how people describe paintings with mirrors.

Marco Bertamini, Mariapia Lucia, Sophia Diaz, Alessandro Soranzo

Abstract read
In one paragraph

Article in British journal of psychology (London, England : 1953), 2026. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

4 authors.

Marco BertaminiDepartment of General Psychology, University of Padova, Padova, Italy.ORCID https://orcid.org/0000-0001-8617-6864
Mariapia LuciaDepartment of General Psychology, University of Padova, Padova, Italy.
Sophia DiazDepartment of General Psychology, University of Padova, Padova, Italy.
Alessandro SoranzoDepartment of Physics, University of Calabria, Arcavacata, Italy.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Since antiquity humans have been fascinated by mirrors; yet, when asked to predict what is made visible in the reflection, or to interpret a scene with a mirror, observers make systematic errors. Many observers claim that a character in a scene is looking at themselves when their reflection is visible, despite not sharing the same viewpoint. The first part of the study consisted of a survey of artworks containing mirrors, and the creation of a catalogue. The second part, using 21 artworks and an online methodology (N = 97), confirmed that the Venus effect impacts most participants. The third part (N = 101) tested whether the effect relates to cognitive/emotional perspective-taking - taking the perspective of someone else - or visual perspective-taking - understanding what can be seen from a certain viewpoint. We related the magnitude of the Venus effect to scores on the AQ test (as a measure of cognitive/emotional perspective-taking) and the ROMP test (as a measure of visual perspective-taking). AQ scores did not predict the Venus effect, and ROMP scores did. We conclude that the Venus effect is likely to occur because people fail to understand what can be seen from a given viewpoint.

Indexed as

PaintingsTheory of MindVisual PerceptionAdolescentAdultEmotionsFemaleHumansMaleYoung Adultcognitive/emotional perspective‐takingmirrorstheory of mindVenus effectvisual perspective‐taking

Identifiers

PMID41268935
PMCPMC13353259

What OpenQuestion holds

Textmetadata
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Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.