Evidence map›Paper›PMID 41244640›Full record

ArticleEPJ data science2025

Personalisation and profiling using algorithms and not-so-popular Colombian music: goal-directed mechanisms in music emotion recognition.

Juan Sebastián Gómez-Cañón, Thomas Magnus Lennie, Tuomas Eerola, Pablo Aragón, Estefanía Cano, Perfecto Herrera, Emilia Gómez

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Article in EPJ data science, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 1 paper.

0numbers the graph read from it
0cells of the map it votes in
1citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

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The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

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3 · Its place in the literature

Who cites it

1 citing paper in PubMed.

  1. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

7 authors.

Juan Sebastián Gómez-Cañón *Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain.ORCID 0000-0002-2544-6311
Thomas Magnus Lennie *Department of Music, Durham University, Durham, UK.ORCID 0000-0001-9821-6173
Tuomas EerolaDepartment of Music, Durham University, Durham, UK.ORCID 0000-0002-2896-929X
Pablo AragónUniversitat Pompeu Fabra, Barcelona, Spain.ORCID 0000-0002-6017-4577
Estefanía CanoSongquito, Erlangen, Germany.ORCID 0000-0002-1056-5844
Perfecto HerreraMusic Technology Group, Universitat Pompeu Fabra, Barcelona, Spain.ORCID 0000-0003-2799-7675
Emilia GómezMusic Technology Group, Universitat Pompeu Fabra, Barcelona, Spain.ORCID 0000-0003-4983-3989

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

This work investigates how personalised Music Emotion Recognition (MER) systems may lead to sensitive profiling when applied to musically induced emotions in politically charged contexts. We focus on traditional Colombian music with explicit political content, including (1) vallenatos and social songs aligned with the left-wing guerrilla Fuerzas Armadas Revolucionarias de Colombia (FARC), and (2) corridos linked to sympathisers of the right-wing paramilitary group Autodefensas Unidas de Colombia (AUC). Using data from 49 participants with diverse political leanings, we train personalised machine learning models to predict induced emotional responses - particularly negative emotions. Our findings reveal that political identity plays a significant role in shaping emotional experiences of music with explicit political content, and that emotion recognition models can capture this variation to a certain extent. These results raise critical concerns about the potential misuse of emotion recognition technologies. What is often framed as a tool for wellbeing and emotional regulation could, in politically sensitive contexts, be repurposed for user profiling. This work highlights the ethical risks of deploying AI-driven emotion analysis without safeguards, particularly among populations that are politically or socially vulnerable. We argue that subjective emotional responses may constitute sensitive personal data, and that failing to account for their sociopolitical context could amplify harm and exclusion. Supplementary Information: The online version contains supplementary material available at 10.1140/epjds/s13688-025-00595-1.

Indexed as

ColombiaMusic emotion recognitionPersonalisationPolarisationProfiling

Identifiers

PMID41244640
PMCPMC12615516

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.