Evidence map›Paper›PMID 41078718›Full record

ArticleFrontiers in pain research (Lausanne, Switzerland)2025

Exploring pain and suffering through spatial acousmatic music: innovative perspectives beyond conventional music therapy.

Nikos Stavropoulos, Mark I Johnson

Abstract read
In one paragraph

Article in Frontiers in pain research (Lausanne, Switzerland), 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors.

Nikos StavropoulosSchool of Arts, Leeds Beckett University, Leeds, United Kingdom.
Mark I JohnsonCentre for Pain Research, School of Health, Leeds Beckett University, Leeds, United Kingdom.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

In this perspective article we contend that acousmatic music, which departs from the traditional "instrumental music paradigm" by obscuring or removing the origin of sounds, may deepen a person's understanding and expression of pain and suffering, offering therapeutic potential. We propose that intentional engagement with acousmatic music can reshape listening habits, articulate and reframe the meaning of bodily and emotional experiences, and alleviate distressing sensations, feelings and thoughts. We propose that acousmatic music evokes memories of previous psychological traumas, such as painful events, and by doing so can prompt listeners to curiously explore the meaning and purpose of distressing symptoms. We argue that creative engagement with acousmatic music may allow individuals to express their somatic, emotional, and cognitive experiences, potentially leading to a deeper understanding of their living experiences. We discuss future directions for research and practice. We offer readers a stereo reduction excerpt of acousmatic music to facilitate an appreciation of the unusual nature of acousmatic music composition (https://soundcloud.com/nikos-stavropoulos/topophilia).

Indexed as

acousmatic musicemotional memorymusic therapypainsoundsuffering

Identifiers

PMID41078718
PMCPMC12511085

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.