Evidence map›Paper›PMID 41035302›Full record

ArticleMicrobial biotechnology2025

An Unexpected Facet of Extremophiles: Their Aesthetic Potential in Artistic Expression.

Luis Andrés Yarzábal Rodríguez, Lenys M Buela Salazar, Yordanis Pérez-Llano, Nina Gunde-Cimerman, Ramón Alberto Batista-García

Abstract read
In one paragraph

Article in Microbial biotechnology, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 2 papers.

0numbers the graph read from it
0cells of the map it votes in
2citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

2 citing papers in PubMed.

  1. Article
  2. Why science needs art.Frontiers in bioinformatics · 2025
    Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors.

Luis Andrés Yarzábal RodríguezCarrera de Bioquímica y Farmacia, Grupo de Microbiología Molecular y Biotecnología (GI-M2yB), Unidad de Salud y Bienestar, Universidad Católica de Cuenca, Cuenca, Ecuador.ORCID https://orcid.org/0000-0003-1243-7704
Lenys M Buela SalazarCarrera de Bioquímica y Farmacia, Grupo de Microbiología Molecular y Biotecnología (GI-M2yB), Unidad de Salud y Bienestar, Universidad Católica de Cuenca, Cuenca, Ecuador.
Yordanis Pérez-LlanoCentro de Investigación en Dinámica Celular, Instituto de Investigación en Ciencias Básicas y Aplicadas, Universidad Autónoma del Estado de Morelos, Cuernavaca, Morelos, México.
Nina Gunde-CimermanDepartment of Biology, Biotechnical Faculty, University of Ljubljana, Ljubljana, Slovenia.
Ramón Alberto Batista-GarcíaCentro de Investigación en Dinámica Celular, Instituto de Investigación en Ciencias Básicas y Aplicadas, Universidad Autónoma del Estado de Morelos, Cuernavaca, Morelos, México.ORCID https://orcid.org/0000-0002-1032-0767

Funding

Universidad Católica de Cuenca
6 · The paper itself

Abstract

Historically, art and science have often been viewed as distinct disciplines, each with its own methodologies and modes of expression. However, a closer examination reveals a rich and complex web of interplay between the two, where scientific inquiry and artistic creativity converge to explore and interpret the natural world. In this article, we dig into the flourishing field of microbial art, with a particular focus on the utilisation of extremophilic microorganisms - organisms that thrive in conditions once deemed uninhabitable - as both objects and subjects in contemporary artistic practices. Tracing the lineage from early intersections between these two fields to modern pioneers, we highlight how microorganisms have transitioned from subjects of scientific study to integral components of artistic creation. Through case studies, we illustrated how the unique properties of extremophiles - such as their pigmentation, resilience, and metabolic capabilities - offer novel avenues for artistic exploration. Furthermore, we emphasised the reciprocal benefits of interdisciplinary collaborations between artists and scientists. In an era marked by environmental challenges and the proliferation of misinformation, the fusion of art and science emerges as a compelling strategy to promote public understanding and appreciation of complex scientific phenomena, serving also as potent tools for science communication and outreach.

Indexed as

ArtEstheticsExtremophilesart‐science collaborationdynamic artworksextremophilesmicrobial artpublic engagement through artscience communicationsustainability in art

Identifiers

PMID41035302
PMCPMC12489178

What OpenQuestion holds

Textmetadata
LicenceCC BY-NC-ND
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.