Evidence map›Paper›PMID 41014091›Full record

ArticleAnnals of the New York Academy of Sciences2025

Creativity in Music: The Brain Dynamics of Jazz Improvisation.

Patricia Alves Da Mota, Henrique Miguel Fernandes, Ana Teresa Lourenço Queiroga, Eloise Stark, Jakub Vohryzek, Joana Cabral, Ole Adrian Heggli, Nuno Sousa, Gustavo Deco, Morten Kringelbach and 1 more

Abstract read
In one paragraph

Article in Annals of the New York Academy of Sciences, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 3 papers.

0numbers the graph read from it
0cells of the map it votes in
3citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

3 citing papers in PubMed.

  1. The entropic brain today.Brain : a journal of neurology · 2026
    Review
  2. Article
  3. Assessing the Role of Vocal Plasticity in Sociospatial Coordination.Animals : an open access journal from MDPI · 2026
    Review
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

11 authors.

Patricia Alves Da MotaCenter For Music in the Brain (MIB), Department of Clinical Medicine, Aarhus University/The Royal Academy of Music, Aarhus, Denmark.
Henrique Miguel FernandesCenter For Music in the Brain (MIB), Department of Clinical Medicine, Aarhus University/The Royal Academy of Music, Aarhus, Denmark.
Ana Teresa Lourenço QueirogaCenter For Music in the Brain (MIB), Department of Clinical Medicine, Aarhus University/The Royal Academy of Music, Aarhus, Denmark.
Eloise StarkCentre For Eudaimonia and Human Flourishing, Linacre College, University of Oxford, Oxford, UK.
Jakub VohryzekInternational Centre for Flourishing, Universities of Oxford, Aarhus, and Pompeu Fabra, Oxford, UK.ORCID 0000-0003-0994-5054
Joana CabralLife and Health Sciences Research Institute (ICVS), School of Medicine, University of Minho, Braga, Portugal.
Ole Adrian HeggliCenter For Music in the Brain (MIB), Department of Clinical Medicine, Aarhus University/The Royal Academy of Music, Aarhus, Denmark.
Nuno SousaCentre For Eudaimonia and Human Flourishing, Linacre College, University of Oxford, Oxford, UK.
Gustavo DecoInternational Centre for Flourishing, Universities of Oxford, Aarhus, and Pompeu Fabra, Oxford, UK.
Morten KringelbachCenter For Music in the Brain (MIB), Department of Clinical Medicine, Aarhus University/The Royal Academy of Music, Aarhus, Denmark.
Peter VuustCenter For Music in the Brain (MIB), Department of Clinical Medicine, Aarhus University/The Royal Academy of Music, Aarhus, Denmark.ORCID 0000-0002-4908-735X

Funding

BIAL Foundation 263/20Foundation for Science and Technology UIDB/50026/2020Foundation for Science and Technology UIDP/50026/2020The Danish National Research Foundation DNRF117
6 · The paper itself

Abstract

Jazz improvisation is a controlled yet ecologically valid framework for investigating spontaneous creative behavior. We examined spatiotemporal brain dynamics when skilled musicians applied different strategies to improvise on a jazz standard. We performed rest and task-based functional magnetic resonance imaging on 16 skilled jazz pianists playing "Days of Wine and Roses", with varying levels of improvisation freedom: (1) playing the melody from memory (byHeart); (2) improvising on the melody (iMelody); and (3) freely improvising (iFreely) on the chord changes. Behaviorally, higher levels of improvisational freedom were associated with a larger number of notes, greater melodic entropy, and reduced pitch predictability. Using the Leading Eigenvector Dynamics Analysis (LEiDA), we found increased activity in the reward system for all conditions compared to rest, including the orbito-frontal cortex. In the improvisation conditions compared to rest, there was a significantly higher probability of a brain state comprising auditory and sensorimotor areas related to musical performance and right insula belonging to the posterior salience network. The highest level of improvisational freedom (iFreely) had a higher occurrence of a brain substate, including the default mode, executive control, and language networks. These networks are involved in planning complex behaviors, decision-making, and motor control-all relevant for understanding neural signatures of creativity.

Indexed as

BrainCreativityMusicAdultBrain MappingFemaleHumansMagnetic Resonance ImagingMaleYoung Adultcreative behaviorfMRIjazzLeading Eigenvector Dynamical AnalysisLEiDAmusic improvisation

Identifiers

PMID41014091
PMCPMC12645261

What OpenQuestion holds

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Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.