Evidence map›Paper›PMID 40843187›Full record

ArticleRoyal Society open science2025

Humans can find rhythm in randomly timed sounds.

Jelle van der Werff, Tommaso Tufarelli, Laura Verga, Andrea Ravignani

Abstract read
In one paragraph

Article in Royal Society open science, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 2 papers.

0numbers the graph read from it
0cells of the map it votes in
2citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

2 citing papers in PubMed.

  1. Cortico-striatal network architecture shapes rhythmic biases in music.Cerebral cortex (New York, N.Y. : 1991) · 2026
    Article
  2. Humans can find rhythm in randomly timed sounds.Royal Society open science · 2025
    Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

4 authors.

Jelle van der WerffDepartment of Human Neurosciences, University of Rome La Sapienza, Rome, Lazio, Italy.ORCID https://orcid.org/0000-0003-3575-7989
Tommaso TufarelliUnaffiliated, Beeston NG9, UK.
Laura Verga *Comparative Bioacoustics Group, Max Planck Institute for Psycholinguistics, Nijmegen, Gelderland, The Netherlands.
Andrea Ravignani *Department of Human Neurosciences, University of Rome La Sapienza, Rome, Lazio, Italy.ORCID https://orcid.org/0000-0002-1058-0024

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Humans are keen pattern-seekers and take advantage of regularities present in their environment. In the temporal domain, we may call these patterns rhythms, but what is rhythm? Definitions vary, but all presuppose a categorical distinction between rhythm and randomness. Here, we challenge this view and show that two types of random sound sequences-classically considered arrhythmic by experimenters-differ in the amount of regularity humans reconstruct from them. When asked to synchronize to randomly timed sounds, participants leverage statistics to estimate the underlying tempo of the sequence, similar to linear statistical estimators. Theoretically, our results challenge current definitions of rhythm by showing that rhythmicity and randomness are instances of a continuum. Methodologically, our data and mathematical model show that a common method for creating random timing, namely the jittering of event onsets, introduces an undesirable regularity that humans readily exploit. New experiments should aim to maximize temporal randomness, and past experiments' outcomes require reconsideration.

Indexed as

rhythmtemporal randomnesstiming

Identifiers

PMID40843187
PMCPMC12365352

What OpenQuestion holds

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Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.