Evidence map›Paper›PMID 40832113›Full record

ArticleIBRO neuroscience reports2025

Watching live performances enhances subjective and physiological emotional responses compared to viewing the same performance on screen.

Damien Gabriel, Julie Devos, Sandrine Chapuis, Alexandre Comte, Pierre-Edouard Billot

Abstract read
In one paragraph

Article in IBRO neuroscience reports, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 4 papers.

0numbers the graph read from it
0cells of the map it votes in
4citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

4 citing papers in PubMed.

  1. Article
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors.

Damien GabrielUniversité Marie et Louis Pasteur, INSERM, UMR 1322 LINC, Besançon F-25000, France.
Julie DevosUniversité Marie et Louis Pasteur, INSERM, UMR 1322 LINC, Besançon F-25000, France.
Sandrine ChapuisCompagnie Kinétochore, Besançon, France.
Alexandre ComteUniversité Marie et Louis Pasteur, INSERM, UMR 1322 LINC, Besançon F-25000, France.
Pierre-Edouard BillotUniversité Marie et Louis Pasteur, INSERM, UMR 1322 LINC, Besançon F-25000, France.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Live performances are known to evoke stronger emotional and physiological responses compared to recorded versions. However, isolating the effect of the physical presence of performers from other environmental factors remains a challenge. This study investigates the specific emotional and physiological responses elicited by a live performance compared to its identical recorded version, projected in the same theater under controlled conditions. Twenty-seven participants (19 females, 8 males, aged 21-67) attended a 5-minute 30-second performance combining dance, singing, and guitar, presented either live or as a video projection. Both formats were viewed under identical spatial conditions, with the screen positioned where the live performance took place. The viewing order was counterbalanced. Participants all completed self-report questionnaires on emotional states before and after each version of the show. A subset of participants was equipped with EEG headsets, electrodermal activity sensors, and photoplethysmography devices. Self-reported data indicated significantly higher pleasure and wakefulness after the live performance compared to the recorded version, while both formats equally reduced anxiety levels. A significant correlation was found between participants' screen viewing habits and their emotional engagement, suggesting that frequent exposure to digital performances might dampen emotional sensitivity to live experiences. Physiological measures revealed distinct patterns: skin conductance response frequency increased significantly in the final segment of the live performance but not in the video condition, indicating higher emotional arousal. Heart rate increased with musical intensity in both conditions, while EEG data showed reduced arousal levels during the live performance, possibly reflecting deeper cognitive absorption. This study provides evidence that live performances elicit stronger emotional and physiological engagement compared to their recorded counterparts, even under identical viewing conditions. The findings highlight the unique impact of performer-audience interaction and suggest that digital media cannot fully replicate the emotional richness of live experiences. Future research should further explore the mechanisms underlying emotional transmission in virtual environments.

Indexed as

EegEmotional arousalEmotionsLive performanceNeuroestheticsPsychophysiology

Identifiers

PMID40832113
PMCPMC12359271

What OpenQuestion holds

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Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.