Evidence map›Paper›PMID 40809398›Full record

ArticleFrontiers in neuroscience2025

An fMRI study of crossmodal emotional congruency and the role of semantic content in the aesthetic appreciation of naturalistic art.

Funda Yilmaz, Tessa M van Leeuwen, Umut Güçlü, Yağmur Güçlütürk, Rob van Lier

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Article in Frontiers in neuroscience, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

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1 · What the graph read from it

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2 · The registry

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3 · Its place in the literature

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4 · The record

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5 · Who and what money

Authors and funding

5 authors.

Funda YilmazDonders Institute for Brain, Cognition and Behaviour, Radboud University, Nijmegen, Netherlands.
Tessa M van LeeuwenDonders Institute for Brain, Cognition and Behaviour, Radboud University, Nijmegen, Netherlands.
Umut GüçlüDonders Institute for Brain, Cognition and Behaviour, Radboud University, Nijmegen, Netherlands.
Yağmur GüçlütürkDonders Institute for Brain, Cognition and Behaviour, Radboud University, Nijmegen, Netherlands.
Rob van LierDonders Institute for Brain, Cognition and Behaviour, Radboud University, Nijmegen, Netherlands.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Numerous studies have explored crossmodal correspondences, yet have so far lacked insight into how crossmodal correspondences influence audiovisual emotional integration and aesthetic beauty. Our study investigated the behavioral and neural underpinnings of audiovisual emotional congruency in art perception. Participants viewed 'happy' or 'sad' paintings in an unimodal (visual) condition or paired with congruent or incongruent music (crossmodal condition). In the crossmodal condition, the music could be emotionally congruent (e.g., happy painting, happy music) or incongruent with the painting (e.g., happy painting, sad music). We also created Fourier Scrambled versions of each painting to test for the influence of semantics. We tested 21 participants with fMRI while they rated the presentations. Beauty ratings did not differ for unimodal and crossmodal presentations (when aggregating across incongruent and congruent crossmodal presentations). We found that crossmodal conditions activated sensory and emotion-processing areas. When zooming in on the crossmodal conditions, the results revealed that emotional congruency between the visual and auditory information resulted in higher beauty ratings than incongruent pairs. Furthermore, semantic information enhanced beauty ratings in congruent trials, which elicited distinct activations in related sensory areas, emotion-processing areas, and frontal areas for cognitive processing. The significant interaction effect for Congruency × Semantics, controlling for low-level features like color and brightness, observed in the behavioral results was further revealed in the fMRI findings, which showed heightened activation in the ventral stream and emotion-related areas for the congruent conditions. This demonstrates that emotional congruency not only increased beauty ratings but also increased the in-depth processing of the paintings. For incongruent versus congruent comparisons, the results suggest that a frontoparietal network and caudate may be involved in emotional incongruency. Our study reveals specific neural mechanisms, like ventral stream activation, that connect emotional congruency with aesthetic judgments in crossmodal experiences. This study contributes to the fields of art perception, neuroaesthetics, and audiovisual affective integration by using naturalistic art stimuli in combination with behavioral and fMRI analyses.

Indexed as

aestheticsartaudiovisualbeauty ratingsemotionfMRImultisensory integrationsemantics

Identifiers

PMID40809398
PMCPMC12345300

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.