Evidence map›Paper›PMID 40710628›Full record

ArticleJournal of imaging2025

FakeMusicCaps: A Dataset for Detection and Attribution of Synthetic Music Generated via Text-to-Music Models.

Luca Comanducci, Paolo Bestagini, Stefano Tubaro

Abstract read
In one paragraph

Article in Journal of imaging, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 2 papers.

0numbers the graph read from it
0cells of the map it votes in
2citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

2 citing papers in PubMed.

  1. Article
  2. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

3 authors.

Luca ComanducciDepartment of Electronics, Information and Bioengineering (DEIB), Politecnico di Milano, 20133 Milano, Italy.ORCID 0000-0002-4167-5173
Paolo BestaginiDepartment of Electronics, Information and Bioengineering (DEIB), Politecnico di Milano, 20133 Milano, Italy.ORCID 0000-0003-0406-0222
Stefano TubaroDepartment of Electronics, Information and Bioengineering (DEIB), Politecnico di Milano, 20133 Milano, Italy.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Text-to-music (TTM) models have recently revolutionized the automatic music generation research field, specifically by being able to generate music that sounds more plausible than all previous state-of-the-art models and by lowering the technical proficiency needed to use them. For these reasons, they have readily started to be adopted for commercial uses and music production practices. This widespread diffusion of TTMs poses several concerns regarding copyright violation and rightful attribution, posing the need of serious consideration of them by the audio forensics community. In this paper, we tackle the problem of detection and attribution of TTM-generated data. We propose a dataset, FakeMusicCaps, that contains several versions of the music-caption pairs dataset MusicCaps regenerated via several state-of-the-art TTM techniques. We evaluate the proposed dataset by performing initial experiments regarding the detection and attribution of TTM-generated audio considering both closed-set and open-set classification.

Indexed as

audio forensicsDeepFakemusic generationtext-to-music

Identifiers

PMID40710628
PMCPMC12295441

What OpenQuestion holds

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LicenceCC BY
Read underepoch 390

Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.