Evidence map›Paper›PMID 40676206›Full record

ArticleCommunications psychology2025

Subjective valuation as a domain-general process in creative thinking.

Gino Battistello, Sarah Moreno-Rodriguez, Emmanuelle Volle, Alizée Lopez-Persem

Abstract read
In one paragraph

Article in Communications psychology, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 4 papers.

0numbers the graph read from it
0cells of the map it votes in
4citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

4 citing papers in PubMed.

  1. Article
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

4 authors.

Gino BattistelloFrontLab, Sorbonne University, Institut du Cerveau - Paris Brain Institute - ICM, Inserm, CNRS, AP-HP, Hôpital de la Pitié Salpêtrière, Paris, France. gn.battistello@gmail.com.ORCID http://orcid.org/0009-0009-9355-470X
Sarah Moreno-RodriguezFrontLab, Sorbonne University, Institut du Cerveau - Paris Brain Institute - ICM, Inserm, CNRS, AP-HP, Hôpital de la Pitié Salpêtrière, Paris, France.ORCID http://orcid.org/0000-0003-0606-901X
Emmanuelle Volle *FrontLab, Sorbonne University, Institut du Cerveau - Paris Brain Institute - ICM, Inserm, CNRS, AP-HP, Hôpital de la Pitié Salpêtrière, Paris, France.ORCID https://orcid.org/0000-0001-8420-4155
Alizée Lopez-Persem *FrontLab, Sorbonne University, Institut du Cerveau - Paris Brain Institute - ICM, Inserm, CNRS, AP-HP, Hôpital de la Pitié Salpêtrière, Paris, France. lopez.alizee@gmail.com.ORCID http://orcid.org/0000-0002-7566-5715

Funding

Agence Nationale de la Recherche (French National Research Agency) ANR 10- IAIHU-06Agence Nationale de la Recherche (French National Research Agency) ANR-19-CE37-00153 01
6 · The paper itself

Abstract

Is a talented painter also a proficient writer? The ongoing discourse on whether creativity operates through domain-general or domain-specific mechanisms has led to challenges in our understanding of the creative process. Prior research suggests that creativity comprises two phases: idea generation and evaluation. A recent framework has proposed that the evaluation phase involves a valuation process which occurs upstream of the selection of an idea. In this framework, the value assigned to an idea, i.e., how much one likes an idea, energizes its production and drives its selection. While the role of valuation has been demonstrated in verbal semantic creativity, its domain generality remains to be tested. In this study, we assessed whether valuation is a domain-general or domain-specific process. Seventy-three participants engaged in three creativity tasks (producing semantic associations, alternate object uses, and drawings) followed by rating tasks. Using computational modeling, we found that a consistent valuation mechanism governs idea valuation across different domains. Specifically, the same value function and value parameters were shared across the evaluation of word associations, object uses and drawing completions. These findings advance our understanding of the evaluation phase of creativity, portraying the valuation component as inherently domain-general. Identifying such core components of creative ideation contributes to elucidating the cognitive mechanisms underlying creativity and provides empirical support for including valuation as a core process in creativity.

Identifiers

PMID40676206
PMCPMC12271468

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.