ArticleBMC psychology2025
Comparative analysis of color emotional perception in art and non-art university students: hue, saturation, and brightness effects in the Munsell color system.
Article in BMC psychology, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 3 papers.
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Who cites it
3 citing papers in PubMed.
- Types and influencing factors of psychological health among freshmen in Chinese art vocational colleges: a latent profile analysis.Frontiers in psychology · 2026Article
- Development and evaluation of a desktop VR serious game for color composition learning in basic design education.PloS one · 2026Article
- Contextual decoupling in color preference: multimodal evidence from spatial evaluation in makerspaces.Frontiers in psychology · 2026Article
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5 authors.
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Abstract
backgroundHue, saturation, and brightness are critical dimensions of color perception, and art students may experience color-related emotions differently from non-art students due to either their specialized training or innate artistic sensitivity. Despite this intriguing possibility, limited research has systematically examined these differences. This study aims to investigate how art and non-art students perceive and emotionally evaluate different colors.
methodsUsing a questionnaire-based approach, participants rated the emotional valence of colors on a 7-point semantic differential scale, ranging from very negative to very positive. The colors were carefully selected from Munsell's color system, which enabled precise manipulation of hue, brightness, and saturation levels. The study included 36 art students and 36 non-art students, who evaluated colors under controlled experimental conditions.
resultsThe findings indicate that brightness and saturation significantly influence emotional responses to colors. Warmer colors, such as orange, elicited more positive emotional evaluations, whereas cooler colors, such as blue, received less positive ratings. Importantly, while differences in emotional responses between art and non-art students were observed, these differences were relatively modest. Art students showed a slight but noticeable sensitivity to variations in brightness and hue, whereas non-art students exhibited stronger responses to color saturation.
conclusionThe findings reveal measurable differences in how art and non-art students emotionally evaluate color, particularly in response to variations in hue, brightness, and saturation. These results provide new insights into the nuanced emotional interpretation of color across populations, enriching our understanding of affective visual perception.
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