Evidence map›Paper›PMID 40597292›Full record

ArticleBMC psychology2025

Comparative analysis of color emotional perception in art and non-art university students: hue, saturation, and brightness effects in the Munsell color system.

Liting Song, Guanghui Zhang, Lan Ma, Johanna Silvennoinen, Fengyu Cong

Abstract readComparative Study
In one paragraph

Article in BMC psychology, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 3 papers.

0numbers the graph read from it
0cells of the map it votes in
3citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

3 citing papers in PubMed.

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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors.

Liting SongResearch Center of Brain and Cognitive Neuroscience, Liaoning Normal University, No. 850 Huanghe Road, Shahekou District, Dalian, Liaoning, 116029, China.
Guanghui ZhangResearch Center of Brain and Cognitive Neuroscience, Liaoning Normal University, No. 850 Huanghe Road, Shahekou District, Dalian, Liaoning, 116029, China. zhang.guanghui@foxmail.com.
Lan MaDepartment of Industrial Design, School of Architecture and Fine Art, Dalian University of Technology, Dalian, Liaoning Province, 116024, China.
Johanna SilvennoinenFaculty of Information Technology, University of Jyväskylä, P.O.Box FI-40014, Jyväskylä, Finland.
Fengyu CongSchool of Biomedical Engineering, Faculty of Medicine, Dalian University of Technology, No. 2 Linggong Road, Ganjingzi District, Dalian, Liaoning Province, 116024, China. cong@dlut.edu.cn.

Funding

China Scholarship Council No. 201906060241
6 · The paper itself

Abstract

backgroundHue, saturation, and brightness are critical dimensions of color perception, and art students may experience color-related emotions differently from non-art students due to either their specialized training or innate artistic sensitivity. Despite this intriguing possibility, limited research has systematically examined these differences. This study aims to investigate how art and non-art students perceive and emotionally evaluate different colors.

methodsUsing a questionnaire-based approach, participants rated the emotional valence of colors on a 7-point semantic differential scale, ranging from very negative to very positive. The colors were carefully selected from Munsell's color system, which enabled precise manipulation of hue, brightness, and saturation levels. The study included 36 art students and 36 non-art students, who evaluated colors under controlled experimental conditions.

resultsThe findings indicate that brightness and saturation significantly influence emotional responses to colors. Warmer colors, such as orange, elicited more positive emotional evaluations, whereas cooler colors, such as blue, received less positive ratings. Importantly, while differences in emotional responses between art and non-art students were observed, these differences were relatively modest. Art students showed a slight but noticeable sensitivity to variations in brightness and hue, whereas non-art students exhibited stronger responses to color saturation.

conclusionThe findings reveal measurable differences in how art and non-art students emotionally evaluate color, particularly in response to variations in hue, brightness, and saturation. These results provide new insights into the nuanced emotional interpretation of color across populations, enriching our understanding of affective visual perception.

Indexed as

ArtColor PerceptionEmotionsStudentsAdolescentAdultFemaleHumansMaleSurveys and QuestionnairesUniversitiesYoung AdultArt StudentsBrightnessColor Emotion PerceptionHueSaturation

Identifiers

PMID40597292
PMCPMC12211919

What OpenQuestion holds

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LicenceCC BY-NC-ND
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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.