Evidence map›Paper›PMID 40539761›Full record

ArticleThe Laryngoscope2025

Safe Sound: Highlighting Electronic Dance Music Attendees' Unique Hearing Protection Practices.

Oluwatobiloba Ayo-Ajibola, Tyler Jung, Matthew E Lin, Ryan Long, John Parsons, Janet S Choi, Joni Doherty

Abstract read
In one paragraph

Article in The Laryngoscope, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 2 papers, 1 of them a synthesis that pooled it.

0numbers the graph read from it
0cells of the map it votes in
2citing papers in PubMed, 1 pooled it
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

2 citing papers in PubMed, 1 synthesis or guideline pooled it.

  1. Auditory Symptoms Among Musicians: A Systematic Review and Meta-analysis.Otolaryngology--head and neck surgery : official journal of American Academy of Otolaryngology-Head and Neck Surgery · 2026
    Pooled it
  2. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

7 authors.

Oluwatobiloba Ayo-AjibolaKeck School of Medicine of the University of Southern California, Los Angeles, California, USA.ORCID 0009-0002-4824-7160
Tyler JungKeck School of Medicine of the University of Southern California, Los Angeles, California, USA.ORCID 0009-0009-6440-4411
Matthew E LinDepartment of Head and Neck Surgery, David Geffen School of Medicine at University of California Los Angeles, Los Angeles, California, USA.ORCID 0000-0001-9914-9670
Ryan LongKeck School of Medicine of the University of Southern California, Los Angeles, California, USA.
John ParsonsCaruso Department of Otolaryngology-Head & Neck Surgery, Keck School of Medicine of the University of Southern California, Los Angeles, California, USA.
Janet S ChoiCaruso Department of Otolaryngology-Head & Neck Surgery, Keck School of Medicine of the University of Southern California, Los Angeles, California, USA.ORCID 0000-0002-8840-9411
Joni DohertyCaruso Department of Otolaryngology-Head & Neck Surgery, Keck School of Medicine of the University of Southern California, Los Angeles, California, USA.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

backgroundStudies suggest electronic dance music attendees (EDMAs) may use hearing protection (HP) more than non-EDM attendees (non-EDMAs), but reasons remain unclear. This study explores EDMA community characteristics that may explain this disparity and strategies to increase non-EDMAs' HP use.

methodsAn anonymous survey was distributed to online music forums. Descriptive statistics, t tests, and Pearson's chi-square tests were conducted alongside propensity-score matching to analyze EDMA and non-EDMAs, accounting for demographics and attendance characteristics. Multivariable logistic and ordinal regressions examined factors related to use and increased frequency of general HP and high-fidelity earplugs (HFE), adjusting for sociodemographic, attendance, and symptom characteristics.

results2022 participants (EDMAs: n = 1049; non-EDMAs: n = 1153) were studied. EDMAs attended more live music events (> 20 events, p < 0.001) for longer durations and reported greater postevent tinnitus and trouble hearing others (all p < 0.05). After matching, EDMAs showed greater HP use (70.47% vs. 59.40%, p < 0.001), consistency ("often or always": 48.49% vs. 29.56%, p < 0.001), and preference for HFEs (64.52% vs. 31.45%, p < 0.001). They showed greater concern for hearing damage and belief in HP efficacy (p < 0.001). More non-EDMAs viewed HP as unnecessary or harmful to music quality (p < 0.05). More EDMAs reported use of their selected modality of HP from social media or acquaintance referral (p < 0.001). In multivariable regression models, EDMAs had increased odds of general HP use (OR:1.96, 95% CI: 1.53-2.51, p < 0.001), specific HFE use (OR:2.98, 2.23-4.00, p < 0.001), and HP usage frequency (OR:1.60, 1.30-1.95, p < 0.001).

conclusionsLeveraging social networks and community-driven awareness-particularly promoting HFEs and addressing concerns about music quality-may enhance non-EDMA HP uptake. LEVEL OF EVIDENCE: 3:

Indexed as

DancingEar Protective DevicesHearing Loss, Noise-InducedMusicNoise, OccupationalOccupational DiseasesAdultAgedFemaleHumansMaleMiddle AgedSurveys and QuestionnairesTinnitusearplugselectronic dance musichearing protectionnoise‐induced hearing loss

Identifiers

PMID40539761
PMCPMC12706568

What OpenQuestion holds

Textmetadata
LicenceCC BY-NC-ND
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.