Evidence map›Paper›PMID 40420989›Full record

ArticleFrontiers in psychology2025

Creative behavior, psychopathology, and salience processing: a case-control study of Italian artists from the Florence Academy of Fine Arts.

Giuseppe Pierpaolo Merola, Andrea Patti, Bernardo Bozza, Davide Benedetti, Giulia Minotti, Andrea Saverio Spagnuolo, Giulia Pitt, Vincenzo Pecoraro, Andrea Lenti, Gaia D'Anna and 5 more

Abstract read
In one paragraph

Article in Frontiers in psychology, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
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1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

15 authors.

Giuseppe Pierpaolo Merola *Psychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Andrea Patti *Psychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Bernardo BozzaPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Davide BenedettiPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Giulia MinottiPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Andrea Saverio SpagnuoloPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Giulia PittPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Vincenzo PecoraroPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Andrea LentiPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Gaia D'AnnaPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Niccolò PorcinaiPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Silvia TafuniPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Isotta FascinaPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Andrea BalleriniPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.
Valdo RiccaPsychiatry Unit, Department of Health Sciences, University of Florence, Florence, Italy.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Introduction: Creative behavior has been associated with psychopathological traits, particularly in the psychotic spectrum. Aberrant salience, a transdiagnostic feature of psychosis vulnerability, may influence the creative process. This study aimed to investigate differences between artists and non-artists in aberrant salience, creativity, personality traits, and psychopathology. Methods: The sample consisted of 123 adults (58 artists, 65 controls) who completed self-report measures, including the Aberrant Salience Inventory (ASI), Big Five Inventory (BFI), Obsessive Beliefs Questionnaire (OBS), Remote Associates Test (RAT), and Anagram Task (ANAG). Statistical analyses included Mann-Whitney U tests for group comparisons, Spearman correlations, and regression analyses. Results: Artists showed significantly higher aberrant salience, openness to experience, and obsessive beliefs, with lower scores on the RAT and ANAG compared to controls. Regression analyses revealed that higher ASI scores were significantly predicted by greater Openness to experience, lower Conscientiousness and higher religiosity. Discussion: These findings suggest that artists have a greater propensity for altered salience experiences, which may contribute to their creative endeavors. The strong association between aberrant salience and openness to experience indicates that personality traits significantly influence creative expression and psychosis vulnerability. Religiosity's role in predicting aberrant salience highlights the impact of cultural and spiritual beliefs on perceptual experiences. By identifying these associations, this study contributes to evaluating risk populations for psychosis. Artists exhibiting high aberrant salience may represent a subgroup with heightened vulnerability, underscoring the importance of early detection and intervention strategies within creative communities.

Indexed as

aberrant salienceartcreativitypsychopathologypsychosis

Identifiers

PMID40420989
PMCPMC12104814

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.