Evidence map›Paper›PMID 40201629›Full record

SynthesisFrontiers in sociology2025

Expanding the discourse: a critical analysis of hip-hop feminism in the era of globalization.

Xi Ling, Yuanyuan Chen, Xuanmin Zhu

Abstract readSystematic Review
In one paragraph

Synthesis in Frontiers in sociology, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

3 authors.

Xi LingPhysical Education Department, Fuzhou Institute of Technology, Fuzhou, Fujian, China.
Yuanyuan ChenFaculty of Education, Silpakorn University, Sanam Chandra Palace Campus, Nakhon Pathom, Thailand.
Xuanmin ZhuFaculty of Education, Silpakorn University, Sanam Chandra Palace Campus, Nakhon Pathom, Thailand.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

The emergence of hip-hop feminism as a cultural, intellectual, and political movement has captured global attention in recent years, highlighting its significance in contemporary discourse. This review aims to re-examine the definition of hip-hop feminism, particularly in the context of globalization and digital media, and to explore its impact on challenging gender stereotypes and enhancing women's discursive power. Through a critical review and analysis of existing literature, this review reveals the deficiencies in the definition of hip-hop feminism and proposes updated and expanded definitions that more comprehensively reflect its global and cross-cultural dimensions. The findings suggest that hip-hop feminism encompasses a broader spectrum of activities and influences. It not only addresses the lives and perceptions of black women but also extends to performative and ethnographic studies, engages actively in digital platforms such as blogs and online communities, and facilitates new avenues for women's political engagement and social activism on a global scale. This review poses critical questions to address potential gaps in the existing literature, thereby mitigating the risk of incomplete or biased definitions of hip-hop feminism. It further proposes three robust theoretical frameworks to comprehensively define hip-hop feminism.

Indexed as

feminismfeministhip-hophip-hop feminismhip-hop feminist

Identifiers

PMID40201629
PMCPMC11977125

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.