Evidence map›Paper›PMID 40150290›Full record

ArticleBehavioral sciences (Basel, Switzerland)2025

Listening Beyond the Source: Exploring the Descriptive Language of Musical Sounds.

Isabel Pires

Abstract read
In one paragraph

Article in Behavioral sciences (Basel, Switzerland), 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 1 paper.

0numbers the graph read from it
0cells of the map it votes in
1citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

1 citing paper in PubMed.

  1. Trial
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

1 author.

Isabel PiresCESEM-Centre for the Study of the Sociology and Aesthetics of Music, School of Social and Human Sciences of the NOVA University of Lisbon, Nova University, 1069-061 Lisboa, Portugal.ORCID 0000-0003-1631-8104

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

The spontaneous use of verbal expressions to articulate and describe abstract auditory phenomena in everyday interactions is an inherent aspect of human nature. This occurs without the structured conditions typically required in controlled laboratory environments, relying instead on intuitive and spontaneous modes of expression. This study explores the relationship between auditory perception and descriptive language for abstract sounds. These sounds, synthesized without identifiable sources or musical structures, allow listeners to engage with sound perception free from external references. The investigation of correlations between subjective descriptors (e.g., "rough", "bright") and physical sound attributes (e.g., spectral and dynamic properties) reveals significant cross-modal linguistic associations in auditory perception. An international survey with a diverse group of participants revealed that listeners often draw on other sensory domains to describe sounds, suggesting a robust cross-modal basis for auditory descriptors. Moreover, the findings indicate a correlation between subjective descriptors and objective sound wave properties, demonstrating the effectiveness of abstract sounds in guiding listeners' attention to intrinsic qualities. These results could support the development of new paradigms in sound analysis and manipulation, with applications in artistic, educational, and analytical contexts. This multidisciplinary approach may provide the foundation for a perceptual framework for sound analysis, to be tested and refined through theoretical modelling and experimental validation.

Indexed as

abstract soundscross-modal linguistic associationsintrinsic sound qualitiessound entity quality research

Identifiers

PMID40150290
PMCPMC11939667

What OpenQuestion holds

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LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.