Evidence map›Paper›PMID 39855638›Full record

ArticleACS applied materials & interfaces2025

Nanoscale Probing of the Organic Binder in Artists' Paint Layers: Organic Phases and Chemical Heterogeneity.

Rafaella Georgiou, Alexandre Dazzi, Jeremie Mathurin, Celia Duce, Patrick Dietemann, Mathieu Thoury, Ilaria Bonaduce

Abstract read
In one paragraph

Article in ACS applied materials & interfaces, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 2 papers.

0numbers the graph read from it
0cells of the map it votes in
2citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

2 citing papers in PubMed.

  1. Article
  2. Review
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

7 authors.

Rafaella GeorgiouDepartment of Chemistry and Industrial Chemistry, Università di Pisa, via Moruzzi 13, 56124 Pisa, Italy.ORCID 0000-0003-2135-7909
Alexandre DazziInstitut de Chimie Physique, UMR8000, Université Paris-Saclay, CNRS, 91405 Orsay, France.ORCID 0000-0001-5752-8461
Jeremie MathurinInstitut de Chimie Physique, UMR8000, Université Paris-Saclay, CNRS, 91405 Orsay, France.
Celia DuceDepartment of Chemistry and Industrial Chemistry, Università di Pisa, via Moruzzi 13, 56124 Pisa, Italy.ORCID 0000-0001-9354-7993
Patrick DietemannBayerische Staatsgemäldesammlungen, Doerner Institut, Richard-Wagner-Str. 1, 80333 Munich, Germany.ORCID 0000-0002-0931-2946
Mathieu ThouryCNRS, ministère de la Culture, UVSQ, MNHN, UAR3461, Université Paris-Saclay, Institut photonique d'analyse non-destructive européen des matériaux anciens, 91192 Saint-Aubin, France.
Ilaria BonaduceDepartment of Chemistry and Industrial Chemistry, Università di Pisa, via Moruzzi 13, 56124 Pisa, Italy.ORCID 0000-0003-0346-8373

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Understanding paint structures at the nanoscopic level can address key questions related to artistic techniques, paint formulation, and long-term preservation of artworks. This involves examining spatial chemical complexity, the formation of molecular networks, and interactions between organic and inorganic constituents. Depending on the paint preparation methods, proteins and drying oils, the most common binders in traditional artistic practices, can be integrated to produce paints with diverse structures and nanoscale chemical intricacies. In this study, we utilize atomic force microscopy-based infrared spectroscopy (AFM-IR) to investigate the spatial chemical complexity and reaction pathways of organic species in artists' paints, including oil,

Indexed as

drying oilmixed-media paintsnanoinfrared microscopyoil paintproteinsRenaissance artworkstemperatempera grassa

Identifiers

PMID39855638
PMCPMC11803564

What OpenQuestion holds

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.