Evidence map›Paper›PMID 39841646›Full record

ArticlePloS one2025

What emotions does music express? Structure of affect terms in music using iterative crowdsourcing paradigm.

Tuomas Eerola, Pasi Saari

Abstract read
In one paragraph

Article in PloS one, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 3 papers.

0numbers the graph read from it
0cells of the map it votes in
3citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

3 citing papers in PubMed.

  1. Article
  2. Article
  3. FME-24: A film, music, and emotion dataset.International journal of multimedia information retrieval · 2026
    Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors.

Tuomas EerolaDepartment of Music, Durham University, Durham, United Kingdom.ORCID 0000-0002-2896-929X
Pasi SaariDepartment of Music, Arts and Culture, University of Jyväskylä, Jyväskylä, Finland.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Music is assumed to express a wide range of emotions. The vocabulary and structure of affects are typically explored without the context of music in which music is experienced, leading to abstract notions about what affects music may express. In a series of three experiments utilising three separate and iterative association tasks including a contextualisation with typical activities associated with specific music and affect terms, we identified the plausible affect terms and structures to capture the wide range of emotions expressed by music. The first experiment produced a list of frequently nominated affect terms (88 out of 647 candidates), and the second experiment established and confirmed multiple factor structures, ranging from 21, to 14, and 7 dimensions. The third experiment compared the terms with external datasets looking at discrete emotions and emotion dimensions, which verified the 7-factor structure and identified a compact 4-factor structure. These structures of affects expressed by music did not conform to music-induced emotion structures, nor could they be explained by basic emotions or affective circumplex. The established affect structures were largely positive and contained concepts such as "romantic" and "free", and terms such as "in love", "dreamy", and "festive" that have rarely featured in past research.

Indexed as

AffectCrowdsourcingEmotionsMusicAdultFemaleHumansMaleYoung Adult

Identifiers

PMID39841646
PMCPMC11753638

What OpenQuestion holds

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LicenceCC BY
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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.