Evidence map›Paper›PMID 39825090›Full record

ArticleScientific reports2025

Acoustic features of instrumental movie soundtracks elicit distinct and mostly non-overlapping extra-musical meanings in the mind of the listener.

Karleigh Groves, Morwaread Mary Farbood, Brandon Carone, Pablo Ripollés, Arianna Zuanazzi

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In one paragraph

Article in Scientific reports, 2025. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 4 papers.

0numbers the graph read from it
0cells of the map it votes in
4citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

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3 · Its place in the literature

Who cites it

4 citing papers in PubMed.

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4 · The record

Corrections and comments

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5 · Who and what money

Authors and funding

5 authors.

Karleigh GrovesDepartment of Psychology, New York University, New York, NY, USA.
Morwaread Mary FarboodMusic and Audio Research Lab (MARL), New York University, New York, NY, USA.
Brandon CaroneDepartment of Psychology, New York University, New York, NY, USA.
Pablo Ripollés *Department of Psychology, New York University, New York, NY, USA.
Arianna Zuanazzi *Department of Psychology, New York University, New York, NY, USA. az1864@nyu.edu.

Funding

Feasibility of a music listening intervention for mental health recovery in chronic strokeR34AT012943 · NCCIH · NEW YORK UNIVERSITY · PI FUENTES, MAGDALENA, RIPOLLES, PABLO · 2024 to 2024
$706k
NCCIH NIH HHS R34 AT012943NCCIH of the National Institutes of Health R34AT012943
6 · The paper itself

Abstract

Music can evoke powerful emotions in listeners. However, the role that instrumental music (music without any vocal part) plays in conveying extra-musical meaning, above and beyond emotions, is still a debated question. We conducted a study wherein participants (N = 121) listened to twenty 15-second-long excerpts of polyphonic instrumental soundtrack music and reported (i) perceived emotions (e.g., happiness, sadness) as well as (ii) movie scene properties imagined during listening (e.g., scene brightness, character role). We systematically investigated how acoustic features of instrumental soundtrack excerpts (e.g., tempo, loudness) contributed to mental imagery of movie scenes. We show distinct and mostly non-overlapping contributions of acoustic features to the imagination of properties of movie scene settings, characters, actions, and objects. Moreover, we find that negatively-valenced emotions fully mediate the relation between a subset of acoustic features and movie scene properties, providing evidence for the importance of emotional valence in evoking mental imagery. The data demonstrate the capacity of music to convey extra-musical semantic information through audition.

Indexed as

Auditory PerceptionEmotionsMotion PicturesMusicAcousticsAcoustic StimulationAdultFemaleHumansImaginationMaleYoung Adult

Identifiers

PMID39825090
PMCPMC11748619

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.