Evidence map›Paper›PMID 39767269›Full record

ArticleBehavioral sciences (Basel, Switzerland)2024

Nuances of an In-Between Space of Learning Through Auditory Approaches in Early Piano Instruction.

Samuel E Pang, Rebecca Y P Kan

Abstract read
In one paragraph

Article in Behavioral sciences (Basel, Switzerland), 2024. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 1 paper.

0numbers the graph read from it
0cells of the map it votes in
1citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

1 citing paper in PubMed.

  1. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors.

Samuel E PangNanyang Academy of Fine Arts, University of the Arts Singapore, Singapore 189655, Singapore.ORCID 0009-0009-0802-8490
Rebecca Y P KanNanyang Academy of Fine Arts, University of the Arts Singapore, Singapore 189655, Singapore.ORCID 0000-0001-7634-5812

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Musical experiences in early piano instruction tend to be led by visual-based methods, limiting opportunities to develop aural abilities for children to understand music. This study examines the exploratory behaviour of music listening through auditory approaches that support visual-based methods to foster musical comprehension. Drawing from case studies of young music learners between the ages of 7 and 8, qualitative data were collected through lesson observations, interviews, game-based assessments, and performance evaluations of a prepared piece. Positive instances of recall, calibration, association, and empowerment indicated how participants perceived and strengthened the association of heard sounds. The findings further highlight the demanding cognitive ability needed to process visual elements in method books and how auditory approaches can relieve the attention to visual score-reading that enables students to better tune in to the coordination of hands with music. This discussion therefore opens the possibility for exploring how we may uncover nuanced differences in learning when we design teaching methods that straddle both auditory and visual approaches.

Indexed as

applied studio teachingaural developmentearly piano instructionin-between space of learningpiano pedagogy

Identifiers

PMID39767269
PMCPMC11673918

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.