Evidence map›Paper›PMID 39424701›Full record

ArticleAttention, perception & psychophysics2024

Influence of musical training on temporal productions when using fast and slow counting paces.

Simon Grondin, Antoine Demers, Pier-Alexandre Rioux, Nicola Thibault, Giovanna Mioni

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Article in Attention, perception & psychophysics, 2024. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Not yet cited in PubMed.

0numbers the graph read from it
0cells of the map it votes in
0citing papers in PubMed
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1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

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Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

0 citing papers in PubMed.

No citing paper in PubMed yet.

4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

5 authors.

Simon GrondinÉcole de Psychologie, Université Laval, Québec, Canada.
Antoine DemersÉcole de Psychologie, Université Laval, Québec, Canada.
Pier-Alexandre RiouxÉcole de Psychologie, Université Laval, Québec, Canada.
Nicola ThibaultÉcole de Psychologie, Université Laval, Québec, Canada. nicola.thibault.1@ulaval.ca.
Giovanna MioniDepartment of General Psychology, University of Padova, Padua, Italy.

Funding

Natural Sciences and Engineering Research Council of Canada RGPIN-2016-05028
6 · The paper itself

Abstract

The aim of the study was to assess the ability to maintain a steady pace during a counting task, aloud or silently, when a fast (28 counts every 900 ms) or slow (18 counts every 1,400 ms) pace is adopted (target = 25,200 ms), and to test whether ability is the same for musician and nonmusicians. The study analyzes the mean and variability of 30 temporal productions. The results show more variability (a larger coefficient of variation: standard deviation/mean production) in the condition where the pace is slow, a finding consistent with previous reports with this task. This finding applies here in both the aloud and silent counting conditions and, most importantly, applies to both musicians and nonmusicians. The results also indicate that there is no significant difference for the absolute error (|mean production - target duration|). In brief, the capacity to keep variability low when maintaining a pace seems to gain benefit from musical training, and this training difference does not depend on counting aloud versus silently and is not restricted to brief intervals.

Indexed as

MusicTime PerceptionAdultFemaleHumansMalePractice, PsychologicalPsychomotor PerformanceYoung AdultCountingMusical expertiseTime productionWeber fraction

Identifiers

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.