Evidence map›Paper›PMID 38773125›Full record

ArticleScientific reports2024

Drawing as a window to emotion with insights from tech-transformed participant images.

Hui-Ching Weng, Liang-Yun Huang, Longchar Imcha, Pi-Chun Huang, Cheng-Ta Yang, Chung-Ying Lin, Pin-Hui Li

Abstract read
In one paragraph

Article in Scientific reports, 2024. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 2 papers.

0numbers the graph read from it
0cells of the map it votes in
2citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

2 citing papers in PubMed.

  1. Article
  2. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

7 authors.

Hui-Ching WengInstitute of Allied Health Sciences, College of Medicine, National Cheng Kung University, 1 University Road, East Dist., Tainan, 701401, Taiwan. hc6127@mail.ncku.edu.tw.
Liang-Yun HuangInstitute of International Business, College of Management, National Cheng Kung University, Tainan, Taiwan.
Longchar ImchaInstitute of International Business, College of Management, National Cheng Kung University, Tainan, Taiwan.
Pi-Chun HuangDepartment of Psychology, College of Social Sciences, National Cheng Kung University, Tainan, Taiwan.
Cheng-Ta YangInstitute of Allied Health Sciences, College of Medicine, National Cheng Kung University, 1 University Road, East Dist., Tainan, 701401, Taiwan.
Chung-Ying LinInstitute of Allied Health Sciences, College of Medicine, National Cheng Kung University, 1 University Road, East Dist., Tainan, 701401, Taiwan.
Pin-Hui LiDepartment of Engineering Science, College of Engineering, National Cheng Kung University, Tainan, Taiwan.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

This study delves into expressing primary emotions anger, happiness, sadness, and fear through drawings. Moving beyond the well-researched color-emotion link, it explores under-examined aspects like spatial concepts and drawing styles. Employing Python and OpenCV for objective analysis, we make a breakthrough by converting subjective perceptions into measurable data through 728 digital images from 182 university students. For the prominent color chosen for each emotion, the majority of participants chose red for anger (73.11%), yellow for happiness (17.8%), blue for sadness (51.1%), and black for fear (40.7%). Happiness led with the highest saturation (68.52%) and brightness (75.44%) percentages, while fear recorded the lowest in both categories (47.33% saturation, 48.78% brightness). Fear, however, topped in color fill percentage (35.49%), with happiness at the lowest (25.14%). Tangible imagery prevailed (71.43-83.52%), with abstract styles peaking in fear representations (28.57%). Facial expressions were a common element (41.76-49.45%). The study achieved an 81.3% predictive accuracy for anger, higher than the 71.3% overall average. Future research can build on these results by improving technological methods to quantify more aspects of drawing content. Investigating a more comprehensive array of emotions and examining factors influencing emotional drawing styles will further our understanding of visual-emotional communication.

Indexed as

EmotionsFacial ExpressionAdultAngerFearFemaleHappinessHumansMaleSadnessYoung Adult

Identifiers

PMID38773125
PMCPMC11109233

What OpenQuestion holds

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.