Evidence map›Paper›PMID 38624768›Full record

ArticleJournal of cultural economics2022

Beyond the realm of cash: street performers and payments in the online world.

Meg Elkins, Tim R L Fry

Abstract read
In one paragraph

Article in Journal of cultural economics, 2022. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 1 paper.

0numbers the graph read from it
0cells of the map it votes in
1citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

1 citing paper in PubMed.

  1. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

2 authors.

Meg ElkinsSchool of Economics, Finance and Marketing, RMIT University, GPO Box 2476, Melbourne, VIC 3001 Australia.ORCID 0000-0001-9181-2052
Tim R L FrySchool of Economics, Finance and Marketing, RMIT University, GPO Box 2476, Melbourne, VIC 3001 Australia.ORCID 0000-0002-3763-5152

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Street performers are able to contribute to a fabric of a city's creative dynamic. The exchange for money between a street performer and an audience is a changing landscape. As less cash is carried on people's person and audiences want to participate in exchange, the industry is ripe for disruption. The paper uses a unique data set from the online busking platform 'The Busking Project' to analyse individual donations to 3757 active buskers. Using a Heckman selection model, we find that the number of fans does influence the number of donations and the artist's genre matters for the likelihood of receiving donation and the amount received. Musicians are more likely to receive a donation; however, it is a smaller donation amount than other performers. The method of payment for receiving a donation and the anonymity of the donor also influences the amount received. The geographic location matters for receiving a donation but not the amount received.

Indexed as

BuskingDigitisationHeckman selectionPlatform economySocial media

Identifiers

PMID38624768
PMCPMC8169402

What OpenQuestion holds

Textmetadata
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.