Evidence map›Paper›PMID 38558160›Full record

ArticleJournal of vision2024

Why did Rubens add a parrot to Titian's The Fall of Man? A pictorial manipulation of joint attention.

Robert G Alexander, Ashwin Venkatakrishnan, Jordi Chanovas, Sophie Ferguson, Stephen L Macknik, Susana Martinez-Conde

Open access · goldAbstract read
In one paragraph

Article in Journal of vision, 2024. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 4 papers.

0numbers the graph read from it
0cells of the map it votes in
4citing papers in PubMed
0.3field-weighted citation impact, top 46% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

4 citing papers in PubMed, 3 citations in OpenAlex.

  1. Review
  2. Article
  3. Article
  4. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

6 authors at 2 institutions in 1 country.

Robert G AlexanderDepartment of Psychology & Counseling, New York Institute of Technology, New York, NY, USA.
Ashwin VenkatakrishnanDepartment of Ophthalmology, SUNY Downstate Health Sciences University, Brooklyn, NY, USA.
Jordi ChanovasDepartment of Ophthalmology, SUNY Downstate Health Sciences University, Brooklyn, NY, USA.
Sophie FergusonDepartment of Ophthalmology, SUNY Downstate Health Sciences University, Brooklyn, NY, USA.
Stephen L MacknikDepartment of Ophthalmology, SUNY Downstate Health Sciences University, Brooklyn, NY, USA.
Susana Martinez-CondeDepartment of Ophthalmology, SUNY Downstate Health Sciences University, Brooklyn, NY, USA.
SUNY Downstate Health Sciences University · USNew York Institute of Technology · US

Funding

Novel Perceptual and Oculomotor Heuristics for Enhancing Radiologic PerformanceR01CA258021 · NCI · SUNY DOWNSTATE MEDICAL CENTER · PI MACKNIK, STEPHEN LOUIS, MARTINEZ-CONDE, SUSANA · 2021 to 2025
$2.9M
Visual cortical mechanisms for the perception of self-generated vs. external motionR01EY031971 · NEI · SUNY DOWNSTATE MEDICAL CENTER · PI Stephen Louis Macknik, Susana Martinez-Conde · 2020 to 2026
$2.2M
National Science Foundation 1734887NCI NIH HHS R01 CA258021NEI NIH HHS R01 EY031971
6 · The paper itself

Abstract

Almost 400 years ago, Rubens copied Titian's The Fall of Man, albeit with important changes. Rubens altered Titian's original composition in numerous ways, including by changing the gaze directions of the depicted characters and adding a striking red parrot to the painting. Here, we quantify the impact of Rubens's choices on the viewer's gaze behavior. We displayed digital copies of Rubens's and Titian's artworks-as well as a version of Rubens's painting with the parrot digitally removed-on a computer screen while recording the eye movements produced by observers during free visual exploration of each image. To assess the effects of Rubens's changes to Titian's composition, we directly compared multiple gaze parameters across the different images. We found that participants gazed at Eve's face more frequently in Rubens's painting than in Titian's. In addition, gaze positions were more tightly focused for the former than for the latter, consistent with different allocations of viewer interest. We also investigated how gaze fixation on Eve's face affected the perceptual visibility of the parrot in Rubens's composition and how the parrot's presence versus its absence impacted gaze dynamics. Taken together, our results demonstrate that Rubens's critical deviations from Titian's painting have powerful effects on viewers' oculomotor behavior.

Indexed as

PaintingsParrotsAnimalsAttentionEye MovementsFixation, OcularHumansMale

Identifiers

PMID38558160
PMCPMC10996941
OpenAlexW4393375029

What OpenQuestion holds

Textmetadata
LicenceCC BY-NC-ND
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.