ArticleFrontiers in psychology2024
Enhancing human-human musical interaction through kinesthetic haptic feedback using wearable exoskeletons: theoretical foundations, validation scenarios, and limitations.
Article in Frontiers in psychology, 2024. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 5 papers.
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Who cites it
5 citing papers in PubMed.
- Haptic feedback in violin education as a case study of robotic exoskeleton-mediated motor learning.Scientific reports · 2026Article
- Music Performance Improvement Support System Using a Semi-Automated Instrument-Playing Robot with Real-Time Acoustic Analysis and Habit Visualization.Sensors (Basel, Switzerland) · 2026Article
- Wearable Technology in Piano Training: Improving Posture and Motion Precision with Biofeedback Devices Like Upright Go.Applied psychophysiology and biofeedback · 2025Article
- Exploring the Impact of Artificial Intelligence on the Creativity Perception of Music Practitioners.Journal of Intelligence · 2025Article
- Real-Time Visual Feedback Based on MIMUs Technology Reduces Bowing Errors in Beginner Violin Students.Sensors (Basel, Switzerland) · 2024Article
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Authors and funding
4 authors.
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Abstract
In this perspective paper, we explore the use of haptic feedback to enhance human-human interaction during musical tasks. We start by providing an overview of the theoretical foundation that underpins our approach, which is rooted in the embodied music cognition framework, and by briefly presenting the concepts of action-perception loop, sensorimotor coupling and entrainment. Thereafter, we focus on the role of haptic information in music playing and we discuss the use of wearable technologies, namely lightweight exoskeletons, for the exchange of haptic information between humans. We present two experimental scenarios in which the effectiveness of this technology for enhancing musical interaction and learning might be validated. Finally, we briefly discuss some of the theoretical and pedagogical implications of the use of technologies for haptic communication in musical contexts, while also addressing the potential barriers to the widespread adoption of exoskeletons in such contexts.
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Registered trials
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