Evidence map›Paper›PMID 38438653›Full record

ArticleNature human behaviour2024

Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries.

Nori Jacoby, Rainer Polak, Jessica A Grahn, Daniel J Cameron, Kyung Myun Lee, Ricardo Godoy, Eduardo A Undurraga, Tomás Huanca, Timon Thalwitzer, Noumouké Doumbia and 24 more

Open access · hybridAbstract read
In one paragraph

Article in Nature human behaviour, 2024. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 41 papers, 1 of them a synthesis that pooled it.

0numbers the graph read from it
0cells of the map it votes in
41citing papers in PubMed, 1 pooled it
22.3field-weighted citation impact, top 1% of its field
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

41 citing papers in PubMed, 1 synthesis or guideline pooled it, 78 citations in OpenAlex.

  1. Pooled it
  2. Cortico-striatal network architecture shapes rhythmic biases in music.Cerebral cortex (New York, N.Y. : 1991) · 2026
    Article
  3. Critical Review on the Development and Evolution of Beat Perception.Annals of the New York Academy of Sciences · 2026
    Review
  4. Article
  5. Review
  6. Article
  7. Polyrhythm Perception and Production: A Scoping Review.Annals of the New York Academy of Sciences · 2026
    Article
  8. Article
  9. Article
  10. One test, many tongues: Surveying language proficiency across the globe.Proceedings of the National Academy of Sciences of the United States of America · 2026
    Article
  11. Article
  12. Finding the groove in neural space.medRxiv : the preprint server for health sciences · 2026
    Article
  13. Review
  14. Article
  15. Review
  16. Review
  17. Hidden assumptions of integer ratio analyses in bioacoustics and music.Annals of the New York Academy of Sciences · 2025
    Article
  18. Article
  19. Core systems of music perception.Trends in cognitive sciences · 2025
    Review
  20. Article
4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

34 authors at 20 institutions in 17 countries.

Nori JacobyComputational Auditory Perception Group, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany. nori.jacoby@ae.mpg.de.ORCID http://orcid.org/0000-0003-2868-0100
Rainer PolakRITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Blindern, Oslo, Norway.ORCID http://orcid.org/0000-0001-5684-1499
Jessica A GrahnBrain and Mind Institute and Department of Psychology, University of Western Ontario, London, Ontario, Canada.ORCID http://orcid.org/0000-0001-7270-2114
Daniel J CameronDepartment of Psychology, Neuroscience and Behaviour, McMaster University, Hamilton, Ontario, Canada.
Kyung Myun LeeSchool of Digital Humanities and Social Sciences, Korea Advanced Institute of Science and Technology, Daejeon, Republic of Korea.
Ricardo GodoyHeller School for Social Policy and Management, Brandeis University, Waltham, MA, USA.
Eduardo A UndurragaEscuela de Gobierno, Pontificia Universidad Católica de Chile, Santiago, Chile.ORCID http://orcid.org/0000-0002-4425-1253
Tomás HuancaCentro Boliviano de Investigación y Desarrollo Socio Integral, San Borja, Bolivia.
Timon ThalwitzerDepartment of Musicology, University of Vienna, Vienna, Austria.ORCID http://orcid.org/0000-0002-8186-0488
Noumouké DoumbiaSciences de l'Education, Université Catholique d'Afrique de l'Ouest, Bamako, Mali.ORCID http://orcid.org/0009-0005-4075-7491
Daniel GoldbergDepartment of Music, University of Connecticut, Storrs, CT, USA.ORCID http://orcid.org/0000-0002-5969-9691
Elizabeth H MargulisDepartment of Music, Princeton University, Princeton, NJ, USA.ORCID http://orcid.org/0000-0002-0250-8348
Patrick C M WongDepartment of Linguistics & Modern Languages and Brain and Mind Institute, Chinese University of Hong Kong, Hong Kong SAR, China.ORCID http://orcid.org/0000-0002-6105-5027
Luis JureSchool of Music, Universidad de la República, Montevideo, Uruguay.
Martín RocamoraSignal Processing Department, School of Engineering, Universidad de la República, Montevideo, Uruguay.ORCID http://orcid.org/0000-0003-3183-9717
Shinya FujiiFaculty of Environment and Information Studies, Keio University, Fujisawa, Japan.ORCID http://orcid.org/0000-0001-5003-2367
Patrick E SavageFaculty of Environment and Information Studies, Keio University, Fujisawa, Japan.ORCID http://orcid.org/0000-0001-6996-7496
Jun AjimiDepartment of Traditional Japanese Music, Tokyo University of the Arts, Tokyo, Japan.
Rei KonnoFaculty of Environment and Information Studies, Keio University, Fujisawa, Japan.
Sho OishiFaculty of Environment and Information Studies, Keio University, Fujisawa, Japan.
Kelly JakubowskiDepartment of Music, Durham University, Durham, UK.ORCID http://orcid.org/0000-0002-4954-7117
Andre HolzapfelDivision of Media Technology and Interaction Design, KTH Royal Institute of Technology, Stockholm, Sweden.ORCID http://orcid.org/0000-0003-1679-6018
Esra MunganDepartment of Psychology, Bogazici University, Istanbul, Turkey.ORCID http://orcid.org/0000-0002-0435-6931
Ece KayaMax Planck Research Group 'Neural and Environmental Rhythms', Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.ORCID http://orcid.org/0000-0003-4012-9469
Preeti RaoDepartment of Electrical Engineering, Indian Institute of Technology Bombay, Mumbai, India.
Mattur A RohitDepartment of Electrical Engineering, Indian Institute of Technology Bombay, Mumbai, India.
Suvarna AlladiNizam's Institute of Medical Sciences, Hyderabad, India.
Bronwyn TarrDepartment of Cognitive and Evolutionary Anthropology, University of Oxford, Oxford, UK.
Manuel Anglada-TortComputational Auditory Perception Group, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.ORCID http://orcid.org/0000-0003-3421-9361
Peter M C HarrisonComputational Auditory Perception Group, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.ORCID http://orcid.org/0000-0002-9851-9462
Malinda J McPhersonDepartment of Brain and Cognitive Sciences, Massachusetts Institute of Technology, Cambridge, MA, USA.ORCID http://orcid.org/0000-0003-0786-6774
Sophie DolanDepartment of Brain and Cognitive Sciences, Massachusetts Institute of Technology, Cambridge, MA, USA.
Alex DurangoDepartment of Brain and Cognitive Sciences, Massachusetts Institute of Technology, Cambridge, MA, USA.
Josh H McDermottFaculty of Music, University of Cambridge, Cambridge, UK. jhm@mit.edu.ORCID http://orcid.org/0000-0002-3965-2503
Keio University Shonan Fujisawa · JPIndian Institute of Technology Bombay · INMax Planck Institute for Empirical Aesthetics · DEMcGovern Institute for Brain Research · USBoğaziçi University · TRBrandeis University · USCanadian Institute for Advanced Research · CACentro de Información y Desarrollo de la Mujer · BOChinese University of Hong Kong · HKDurham University · GBHarvard University · USKorea Advanced Institute of Science and Technology · KRKTH Royal Institute of Technology · SEMcMaster University · CANizam's Institute of Medical Sciences · INPrinceton University · USSociety for Neuroscience · USTokyo University of the Arts · JPUniversidad de la República de Uruguay · UYUniversitat Pompeu Fabra · ES

Funding

James S. McDonnell Foundation (McDonnell Foundation) Scholar Award
6 · The paper itself

Abstract

Music is present in every known society but varies from place to place. What, if anything, is universal to music cognition? We measured a signature of mental representations of rhythm in 39 participant groups in 15 countries, spanning urban societies and Indigenous populations. Listeners reproduced random 'seed' rhythms; their reproductions were fed back as the stimulus (as in the game of 'telephone'), such that their biases (the prior) could be estimated from the distribution of reproductions. Every tested group showed a sparse prior with peaks at integer-ratio rhythms. However, the importance of different integer ratios varied across groups, often reflecting local musical practices. Our results suggest a common feature of music cognition: discrete rhythm 'categories' at small-integer ratios. These discrete representations plausibly stabilize musical systems in the face of cultural transmission but interact with culture-specific traditions to yield the diversity that is evident when mental representations are probed across many cultures.

Indexed as

Auditory PerceptionCross-Cultural ComparisonMusicAdultCognitionFemaleHumansMaleYoung Adult

Identifiers

PMID38438653
PMCPMC11132990
OpenAlexW4392376042

What OpenQuestion holds

Textmetadata
LicenceCC BY
Read underepoch 390

Registered trials

None linked

Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.