Evidence map›Paper›PMID 38329559›Full record

ArticlePsychological research2024

Increased body movement equals better performance? Not always! Musical style determines motion degree perceived as optimal in music performance.

Nádia Moura, Pedro Fonseca, João Paulo Vilas-Boas, Sofia Serra

Abstract read
In one paragraph

Article in Psychological research, 2024. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 3 papers.

0numbers the graph read from it
0cells of the map it votes in
3citing papers in PubMed
–field-weighted citation impact
1 · What the graph read from it

What it found

Each row is one number read from the abstract, on the scale the paper reported it, with its interval. Left of the dashed line favours the treatment, right favours the comparator. Under each row is the sentence it came from. New to these charts? A ten-minute tutorial.

The abstract states no effect estimate the extractor could read, or names no intervention and outcome on the map, so this paper lights no cell and moves no belief. It is still indexed, cited and linked below.

2 · The registry

The trial behind it

Trials whose registry record cites this paper, or whose number appears in the abstract. A trial that started after this paper was published is citing it as background, not reporting it.

Neither the registry nor the abstract names a trial number. If this is a trial report, that itself is worth knowing.

3 · Its place in the literature

Who cites it

3 citing papers in PubMed.

  1. Article
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4 · The record

Corrections and comments

PubMed lists nothing against this paper. Absence here is not a guarantee, only a check that was made.

5 · Who and what money

Authors and funding

4 authors.

Nádia MouraResearch Centre in Science and Technology of the Arts (CITAR), School of Arts, Universidade Católica Portuguesa, Porto, Portugal. nmoura@ucp.pt.ORCID http://orcid.org/0000-0002-4618-4146
Pedro FonsecaPorto Biomechanics Laboratory (LABIOMEP), Faculty of Sport, University of Porto, Porto, Portugal.ORCID http://orcid.org/0000-0002-4885-4924
João Paulo Vilas-BoasPorto Biomechanics Laboratory (LABIOMEP), Faculty of Sport, University of Porto, Porto, Portugal.ORCID http://orcid.org/0000-0002-4109-2939
Sofia SerraResearch Centre in Science and Technology of the Arts (CITAR), School of Arts, Universidade Católica Portuguesa, Porto, Portugal.ORCID http://orcid.org/0000-0001-7052-860X

Funding

Fundação para a Ciência e a Tecnologia 2020.05257.BD
6 · The paper itself

Abstract

Musicians' body behaviour has a preponderant role in audience perception. We investigated how performers' motion is perceived depending on the musical style and musical expertise. To further explore the effect of visual input, stimuli were presented in audio-only, audio-visual and visual-only conditions. We used motion and audio recordings of expert saxophone players playing two contrasting excerpts (positively and negatively valenced). For each excerpt, stimuli represented five motion degrees with increasing quantity of motion (QoM) and distinct predominant gestures. In the experiment (online and in-person), 384 participants rated performance recordings for expressiveness, professionalism and overall quality. Results revealed that, for the positively valenced excerpt, ratings increased as a function of QoM, whilst for the negatively valenced, the recording with predominant flap motion was favoured. Musicianship did not have a significant effect in motion perception. Concerning multisensory integration, both musicians and non-musicians presented visual dominance in the positively valenced excerpt, whereas in the negatively valenced, musicians shifted to auditory dominance. Our findings demonstrate that musical style not only determines the way observers perceive musicians' movement as adequate, but also that it can promote changes in multisensory integration.

Indexed as

Auditory PerceptionMotion PerceptionMusicAdolescentAdultFemaleHumansMaleMiddle AgedMovementPsychomotor PerformanceVisual PerceptionYoung Adult

Identifiers

PMID38329559
PMCPMC11142955

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Registered trials

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.