Evidence map›Paper›PMID 38286947›Full record

ArticleBehavior research methods2024

The Emotion-to-Music Mapping Atlas (EMMA): A systematically organized online database of emotionally evocative music excerpts.

Hannah Strauss, Julia Vigl, Peer-Ole Jacobsen, Martin Bayer, Francesca Talamini, Wolfgang Vigl, Eva Zangerle, Marcel Zentner

Abstract read
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Article in Behavior research methods, 2024. The graph could read no effect estimate from its abstract, so it casts no vote on the map. Cited by 2 papers.

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2citing papers in PubMed
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1 · What the graph read from it

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2 · The registry

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3 · Its place in the literature

Who cites it

2 citing papers in PubMed.

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4 · The record

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5 · Who and what money

Authors and funding

8 authors.

Hannah StraussDepartment of Psychology, University of Innsbruck, Universitätsstrasse 15, 6020, Innsbruck, Austria. Hannah.Strauss@uibk.ac.at.
Julia ViglDepartment of Psychology, University of Innsbruck, Universitätsstrasse 15, 6020, Innsbruck, Austria.
Peer-Ole JacobsenDepartment of Computer Science, Universität Innsbruck, Innsbruck, Austria.
Martin BayerDepartment of Computer Science, Universität Innsbruck, Innsbruck, Austria.
Francesca TalaminiDepartment of Psychology, University of Innsbruck, Universitätsstrasse 15, 6020, Innsbruck, Austria.
Wolfgang ViglDepartment of Psychology, University of Innsbruck, Universitätsstrasse 15, 6020, Innsbruck, Austria.
Eva ZangerleDepartment of Computer Science, Universität Innsbruck, Innsbruck, Austria.
Marcel ZentnerDepartment of Psychology, University of Innsbruck, Universitätsstrasse 15, 6020, Innsbruck, Austria. Marcel.Zentner@uibk.ac.at.

Funding

No grant is acknowledged in the PubMed record.

6 · The paper itself

Abstract

Selecting appropriate musical stimuli to induce specific emotions represents a recurring challenge in music and emotion research. Most existing stimuli have been categorized according to taxonomies derived from general emotion models (e.g., basic emotions, affective circumplex), have been rated for perceived emotions, and are rarely defined in terms of interrater agreement. To redress these limitations, we present research that served in the development of a new interactive online database, including an initial set of 364 music excerpts from three different genres (classical, pop, and hip/hop) that were rated for felt emotion using the Geneva Emotion Music Scale (GEMS), a music-specific emotion scale. The sample comprised 517 English- and German-speaking participants and each excerpt was rated by an average of 28.76 participants (SD = 7.99). Data analyses focused on research questions that are of particular relevance for musical database development, notably the number of raters required to obtain stable estimates of emotional effects of music and the adequacy of the GEMS as a tool for describing music-evoked emotions across three prominent music genres. Overall, our findings suggest that 10-20 raters are sufficient to obtain stable estimates of emotional effects of music excerpts in most cases, and that the GEMS shows promise as a valid and comprehensive annotation tool for music databases.

Indexed as

Databases, FactualEmotionsMusicAcoustic StimulationAdolescentAdultFemaleHumansInternetMaleMiddle AgedYoung AdultDatabaseEmotionGEMSMusic genresMusic Information Retrieval (MIR)

Identifiers

PMID38286947
PMCPMC11133078

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Read under generation 80e0d062 · epoch 390. Bibliography from PubMed, PubMed Central and OpenAlex; grants from NIH RePORTER; trial links from ClinicalTrials.gov; estimates, votes and beliefs from the OpenQuestion graph.